Audiophiles frequently discuss "blind testing". In some people's opinion, doing a "blind test" is the only way to test whether or not one audio component sounds different than another. "All amplifiers sound the same. It's been proven in blind tests!" For others, the validity of blind testing can be problematic because of a variety of different variables.
Today, I was listening to the Home Theater Geeks podcast with Stereophile's John Iverson. (As an aside, this is a truly excellent weekly segment hosted by Scott Wilkinson. I recommend you check it out if you haven't). John Iverson made a point in the interview about blind testing that I wanted to highlight because I think he's spot on. Let me explain.
Blind testing isn't so much about the differences in the equipment as much as it is a test about the listener. Moreover, just because a listener is able to perceive a difference between Product A and Product B, you can only talk about the listener's preference for a particular product. If you want to take the variable of the listener out of the equation, then your listener panel needs training.
The importance of the listener in any kind of audio test simply cannot be emphasized enough in my opinion. As someone who has taken some listening training I can say from experience that this is a wonderfully humbling exercise. In fact, I will even go so far as to say that using untrained listeners in a "blind" test is a variable that should be explicitly stated in any test. If you're skeptical of those claims, then I suggest you check out the benefits of using trained listeners as documented here:
John Iverson's comments are right in line with the work pioneered by Dr. Floyd Toole and now Dr. Sean Olive of Harman International. Harman is the parent company of the luxury audiophile brands Mark Levinson, Revel, JBL and Lexicon. I'll highlight for a moment some previous work posted by Dr. Olive from his blog post here about a "Method for Training Listeners and Selecting Program Material for Listening Tests". I'd like to point out that when Harman's own Revel speakers subsidiary tests their speakers, they only use trained listeners.
- Olive, Sean E., "Differences in Performance and Preference of Trained Versus Untrained Listeners in Loudspeaker Tests: A Case Study,” J. Audio Eng. Soc. Vol. 51, issue 9, pp. 806-825, September 2003. Download for free here, courtesy of Harman International.
- Bech, Soren, “Selection and Training of Subjective for Listening Tests on Sound-Reproducing Equipment,” J. Audio Eng. Soc., vol. 40 no. 7/8 pp. 590-610 (July 1992).
- Toole Floyd E. "Subjective Measurements of Loudspeakers Sound Quality and Listener Performance," J. Audio Eng. Soc., vol. 33, pp. 2-32 (1985 Jan./Feb.).
There are two programs that I know of that the average enthusiast can participate in to become a better, trained listener.
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Harman's How to Listen software is a free download for Mac and Windows computers |
The software is incredibly flexible. It will give you the options to input your speaker setup and fine-tune several aspects of the program material.
The second is Philips "Golden Ears Training". The Golden Ears program. According to Philips, the Golden Ears training program was designed to develop the listening skills of their audio engineers.
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Philips "How to Listen" is a free online course you can take to improve your listening skills along key metrics. |
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Philips online Golden Ears tutorial site helps you setup your system with a simple, step-by-step walkthrough. |
I also want to thank John Iverson for a great interview and great insights. I also don't take John's comments to an extreme by saying that only trained listeners can evaluate equipment.
The next time someone makes a definitive, vocal claim in some Internet forum that "Blind tests have shown that..." or, "You can't say that without blind tests..." you can tell them that without trained listeners the only thing you've proven in the blind test is something about the listeners, not the equipment being tested. Oh, and if they question you, just point them to the peer-reviewed research from the major audio industry publications ;-)