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Is there a difference between cheap and expensive HDMI Cables?

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I'm sure you've gone into a store and someone's tried to sell you an expensive HDMI cable.  You know, those costing $75, $150 or even $500 or more.  You'll be told all sorts of things as to why this cable is better than that one.  For the unsuspecting consumer, it can certainly make you pause or wrestle with a seemingly tough decision. 

First of all, you need to know that the markup on TVs and electronics isn't that much anymore. The margins are slim.  Many stores makeup profit margins by selling cables, accessories, and extended warranties.  Here, I want to focus specifically on whether or not expensive HDMI cables are worth it. I'm now going to draw a distinction between expensive HDMI cables and quality HDMI cables.  As far as HDMI cables go, the more expensive the cable doesn't mean it's better quality.  Remember that as I take you through myth and fact.

First of all, yes, the quality of your HDMI cable can make a huge difference in the reliability of your setup (note again that I said quality, not expensive).  However, if your HDMI cable run is less than 10-15 feet, than any HDMI cable will do--even the inexpensive $4.00 cables you can buy from www.monoprice.com or the $8.00 HDMI cables from www.bluejeanscable.com.  The reality is that all inexpensive HDMI cables come from China and likely come from the same sources. 

So, whether you are paying $3.00, $8.00, or $50.00 you are buying exactly the same cable with perhaps only a prettier color or outer jacket.  
I use several 8-foot BlueJeans Cable HDMI Cables from their BJC Belden Series-FE and their Tartan Series cables.  That's $24 for the former and $4.70 for the latter.  They both work just fine.  

The real issue you need to focus in on is long HDMI cable lengths.  Once you start going with HDMI  cable lengths of 25 feet or more then you need to pay a bit more attention to your HDMI cable quality.  That does not mean, however, that you should be spending $100 or more for the cable.  All you need to know for our purposes is that like all cables, signal interference and attenuation in an HDMI cable increases as the cable gets longer.  At a certain point, that interference will become too great and the signal-to-noise ratio will become too great.  When that happens, the signal will degrade.

You may be asking yourself, "Well, an HDMI cable is all digital so it shouldn't have any problems, right?" Wrong.  Many people mistakenly think that just because an HDMI cable is “digital” that the signal is the same no matter what.  That’s just not true and let me show you why.
  
The signal in an HDMI cable is measured with what’s known as an “eye diagram”.  Below, you’ll see two images courtesy of the HDMI licensing organization.  The image on the left shows an undistorted  digital signal being sent via HDMI.  Notice that it has a large, “eye”.  The grey area in the middle, known as the “mask” has plenty of black space around it.  Having the mask with plenty of black around it means that the signal is strong and that there isn’t much noise in the signal.  In other words, all those digital zeros and ones go from the source to their destination without a problem.

The "eye diagram" is used to analyze the quality of a digital signal sent over HDMI.  The HDMI eye diagram is used to show how an HDMI cable does or doesn't maintain the integrity of its signal over distance.  The eye diagram above is courtesy of HDMI Licensing: www.hdmi.org

Now that you see the eye clearly, contrast that with the image on the right.  The entire image looks like it’s been stretched like a rope to the left and right and now the grey mask has bled into the signal.  There isn’t that clean and clear black area around the mask.  In this instance, signal noise and attenuation in the HDMI cable has closed the “eye”. 


So, my point here is very simple, the better the quality of the cable, its construction, materials, etc. will determine how well it performs over longer distances—how well it rejects noise that can close the eye.  High quality HDMI cables, for example, can maintain the “eye” for distances as long as 25 feet (or more).  In my case I'm using a 25 foot Blue Jeans Cable that's coupled together with another 25 foot Monoprice cable (that's 50 feet altogether) and I'm able to pass my HDMI signal flawlessly.  I didn't even spend close to $80 for both cables.

So, as a general rule of thumb, you always want to make sure you are purchasing a certified HDMI cable—that means simply a cable that is able to maintain this “eye pattern” for the distance you’re buying.

To simplify things for you here's what I recommend you do:
  1. For short distances under 25 feet, any HDMI cable will do.  If you want something that's really going to give you the best value, go with HDMI cables from either www.bluejeanscable.com or www.monoprice.com.  There are a few other brands that I'd also recommend (Tributaries come to mind) that will give you a nicer exterior jacket and feel if you want that and at the same time they won't gouge you with the price.
  2. For distances 25 feet or more, make sure you get a certified HDMI cable and/or an amplified cable.  There are two options here:
  3. Monoprice HDMI cables with Redmere are
     super-thin but can be long distances
    1. Go with the longer cables from bluejeanscable.com They are certified to work at the distances they sell them at.  I've been using some of their 25 foot series 1 cables for years without any issue.  The only drawback is that they are a bit thick. (BlueJeans Cable has an excellent article on HDMI cable length that you can reference here).
    2. Go with an amplified cable with RedMere technology.  You can buy these from www.monoprice.com.  RedMere cables have a small chip in them that can keep the cable thin while also certifying it for longer distances.  15-25 foot RedMere HDMI cables are as thin as an iPhone USB charger.  Longer cables such as the 30 foot or more RedMere cables are a bit thicker.   The only issue you need to be attentive to with RedMere cables is that they are directional!  Even though the connectors are the same on both ends, one end must be plugged into the source end and the other end must be plugged into the display. If you plug in the cable backwards, it won't work.  Each end of the HDMI cable is labeled and tells you which is source and which is the display.  HDMI cables with RedMere command a bit of a premium, but are still very reasonably priced.  However, unless you need ultra-thin HDMI, you're better off going with the non-RedMere HDMI versions.  You can save money by doing so.

So don't get suckered into overpaying for HDMI cables.  Get a good quality cable at reasonable prices.

If you have good quality HDMI cables but are still having problems, be sure to check out my other article here on debugging HDMI problems.


Shout out to the Daily Audiophile

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I've been a big fan of the Daily Audiophile (http://www.dailyaudiophile.com) for years.  If you haven't checked out the site, you should have it on your short list.  This is a great site managed by Mark Wieman.  Mark is a longtime music lover and avid audiophile.  He created an audiophile dashboard web site that instantly pulls the latest posts from some great audiophile web sites from across the Internet.

Mark has now added the Poor Audiophile to that list.  To be on the same list with some of the publications we admire is a real treat.  Mark, thanks for that honor!





75% Off Harman Kardon CL Precision On-Ear Headphones with Extended Bass

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The CL’s have iPhone/iPad/iPod controls via a streamlined remote that offers familiar controls for audio playback controls and phone calls.  

Harman Kardon CL headphones feature an exclusive acoustic system that integrates superb mechanical design, materials, and electronics. User-exchangeable bows, self-adjusting housings, soft leather cups, and slow-retention ear-cup foam ensure a comfortable fit and an optimal acoustic seal on the ear. 



Uniquely baffled 1-5/8" (40 mm) drivers enable the CL to outperform other headphones in extended bass response. Sandblasted steel frames and black matte housings create an iconic, modern aesthetic. A blend of sophistication and simplicity, the lightweight, comfortable CL headphones are part of the first-ever line of Harman Kardon headphones. Now you can take beautiful sound with you wherever you go.  Click here to get the deal of the day.

Erzetich releases Deimos – a prestige dual mono class-A headphone amplifier

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With the explosion of the portable music revolution over the past 10+ years, headphones and headphone amplifiers have become an increasingly popular part of audiophile interest.  Slovenian-based Erzetich Audio focuses their product line exclusively on headphone amplifiers.  They have just launched a new, dual mono, class-A headphone amplifier to help drive some of those high-end headphones to their full potential.  

The dual mono design of the Deimos sports three separate power supplies – one for each channel plus one for the digital part.  Erzetich claims that the advantage of the three power supplies allows for the complete separation of power supplies to avoid inter-channel interference or interference from the digital part.

The Deimos' design and craftsmanship of an aged linden wood faceplate and milled aluminum parts come at a price.  It's $4,000 Eur or about $5,063 US.  Here are the full details about the Deimos from Erzetich.

GENTLE GIANT AMONG HEADPHONE AMPLIFIERS
Erzetich releases Deimos – a prestige dual mono class-A headphone amplifier

Slovenia, September 23, 2014—You surely need to have a proper sound system if you really love music – after all, you miss half of its beauty if you don't.

Detail of the Erzetich Deimos dual mono class-A headphone amp with aged linden wood faceplate
For the ones who prefer enjoying this form of art through headphones, there's a new headphone amplifier that will treat your ears just right. Despite the rough, 19th century industrial look, with an aged linden wood faceplate and milled thick aluminum parts, there's a gentle soul inside. This 6.5-kg-headpone amplifier sounds balanced and precise and makes an important visual statement on your desk – no wonder it was a great success among visitors at this year's Munich High End Hi-Fi show.

"I've rediscovered the music with Deimos," says Blaž Erzetič, the CEO and the founder of Erzetich Audio. "This is a supercar among headphone amplifiers. Every album I listen to on it is a spectacle on its own. Visually, we studied a lot the exterior, too, to make this machine not only an ear-, but also an eye-candy."
Top view of the dual-mono Demos' circuitry including its three separate power supplies
Due to the complexity of manufacture, Erzetich plans a very limited yearly production of this completely hand crafted, prestige headphone amplifier, dedicated to the ones that can appreciate exclusive high-end audio components.

Deimos will be available at the beginning of 2015 for around 4,000 EUR, while Erzetich will start accepting preorders with a special discount in late September.

For more information visit www.erzetich-audio.com.

Technical characteristics of Deimos:

  • Chassis: steel, aluminum, wood, acrylic
  • Type: dual mono with three separate power supplies – one for each channel plus one for the digital part (advantage: complete separation of power supplies to avoid inter-channel interference or interference from the digital part)
  • Analog technology: class-A (advantage: very fast and precise amplifier technology)
  • Smoothing capacitors: 43000 uF per channel (advantage: very stable power supply)
  • Frequency response: 4 Hz-40 kHz (-1 dB)
  • Volume adjustment: digitally controlled relay based, 64 steps (advantage: complete channel separation and controlled logarithmic scale)
  • Input: RCA and XLR (advantage: selection for the most appropriate signal transfer from the sound source)

About Erzetich
Erzetich is focused on personal audio, specifically on headphone amplifiers and accessories. The company is located in the west of Slovenia, in the woods of Trnovo, not really far away from the border with Italy. Erzetich Audio products keep a clean and fine industrial design, as well as a simple use and positioning.

Since it's all about music, Erzetich already collaborates with important names in music like Guano Apes, Billy Gould (Faith No More), Benji Webbe (Skindread), Sarah Bettens (K's Choice) and Anneke Van Giersbergen. Erzetich is also preparing their 2nd high resolution music compilation featuring talented indie artists.

SVS Launches Prime Series Speaker Family: An Array of Speakers From Tower to Satellite

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SVS Prime Series Speakers include a Tower, Center, Bookshelf, and Satellite Speaker.  Shown here is the Tower and Center with an accompanying SVS SB-1000 Subwoofer.

At this past week's Rocky Mountain Audio Fest, affectionately known as RMAF in audiophile circles, SVS launched their new Prime Series Speaker Family.  The Prime Series speakers consist of a full complement for any lifestyle—tower, bookshelf, center, and satellite.  SVS says that they applied knowledge gained from developing their award-winning Ultra Series speakers to achieve what they say is "flagship performance at mainstream prices." The goal of the Prime Series is to bring the experience of high-end audio to a broader audience.

The Prime Series is supposed to sport a premium finish and, from what I can see in the initial photos, it looks like the Prime Series has the same caliber finish that I raved about in mr SVS SB13-Ultra Subwoofer review.  You can't appreciate how beautiful the finish is on these SVS products until you see them in person.


The SVS Prime Tower has a 3.5-way crossover with dual 6.5-inch woofers.
The Prime Tower has a new 3.5-way crossover that SVS says ensures a full, flat and seamless frequency response from the tweeter to the midrange driver and with two individually tuned and isolated 6.5-inch woofers.  The Prime Tower can reach down to 30 Hz (+/-3db).

The Prime Bookshelf can serve as both a reference monitor, surround sound speaker, or center channel based on a person's preference and room requirements.  The Bookshelf model has a 1" aluminum dome tweeter with an FEA-optimized diffuser.  That's complemented by a 6.25" woofer that is comprised of a stiffened polypropylene cone, a refined motor with aluminum shorting ring for reduced distortion, and a vented voice coil former.
Detail shot of the SVS Prime Series Bookshelf Speaker.

The Prime Center is a three-way design.  I was happy to hear that SVS went with this design choice as it addresses the off-axis  issues that are common to the two-way design short-cuts manufacturers sometimes take to keep prices down. At this price point, its refreshing to see that SVS chose to go with a three-way design.  The Prime Center features four-drivers with  a 1” aluminum dome tweeter, dedicated 3.5” midrange driver and dual 5.25” woofers. To avoid midrange modulation, SVS mounted the midrange driver in its own dedicated and completely sealed compartment, which SVS says ensures natural and immersive dialogue clarity and vocal timbre, even during bass-heavy tracks and scenes.

SVS Center Channel Speaker Features a Three-Way Design

The Prime Satellite is SVS' first-ever satellite speaker design. For the budget and space conscious, the Satellite can serve as the front, center, and surround speakers to make up a very capable, very affordable multi-channel home theater system. The Prime Satellite also includes a wall bracket and therefore gives individuals various mounting options.

The Prime Satellite Speaker can be optionally mounted with the included wall-bracket.


Pricing for the series is unbelievably reasonable given SVS' build quality and reputation.  
  • The Prime Towers are $499.99 each ($999.98/pair)
  • The Prime Bookshelf are $249.99 each ($499.98/pair)
  • The Prime Center is $349
  • The Prime Satellites are $134.99 each ($269.98/pair or $674.95/5-Channel or $944.93/7-Channel)
  • SVS also has bundle deals with the Prime Satellites and subs that start at $699 for a 2.1 system and $999 for a 5.1 system.
The Prime Series is available in both black ash and piano gloss finishes.  The Prime series comes with SVS' risk-free, 45-day in home trial.  You can try the speakers in your home at no risk for 45-days and if you don't like them you can send them back.  SVS will pay for shipping both ways.  

Would You Clean Your Vinyl Records with Wood Glue?

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I love cleaning my vinyl collection.  A clean LP, free of dirt or dust is as pristine as a CD—it has none of the chronic pops and clicks that people have unfortunately associated with listening to vinyl.  We've all had those instances where a normal cleaning won't do--where an LP does indeed suffer a dusty calamity where it needs intensive help.

The first thing that comes to my mind in those situations is a good record cleaning machine.  For the poor audiophile, I've come across budget solutions but never did I think that record cleaning and wood glue would come together in the same sentence until a fellow-audiophile shared this video with me.



Does it work?  Is this legit?  For some, using wood glue has been a disaster:



I guess wood glue has been around for some time as a method to try, the Record Revirginizer has wood glue in their FAQ.  While I can't speak for the Record Revirginizer, it sure does look like the same concept—just a different chemical mix that they claim is safe for vinyl.

At least one daring user on AudioKarma took the wood glue plunge and posted some impressive-looking photos.

Lifehacker has an article on using wood glue to clean your LPs and 120Studio does too!

Personally speaking, I'm just not sure I'm ready to switch my LP cleaning methodology and I would much rather trust my vinyl cleaning to a VPI HW 16.5 cleaner than good old wood glue.  Maybe—just maybe—for the sake of scientific inquiry I'll dig up an LP to try this out on.  I just need to get up enough courage to do that.

Krell Announces Duo 125 Stereo Power Amplifier—Now Shipping

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The Krell Duo 125 Stereo Amplifier

Krell has announced that their Duo 125 Stereo power amplifier is now shipping.  The Duo 125 is based on Krell's Class A iBias circuitry. Krell states that their iBias Class A technology allows their amplifiers to run in full Class A mode to full power while minimizing heat generation. Krell claims that previous efforts at using a "tracking" bias, while effective, only measured the incoming signal and set bias levels from this information. Their new patent pending iBias technology significantly elevates the effectiveness of previous designs by calculating bias from the output stage. Krell notes that this seemingly small change in topology results in a dramatic improvement in sound quality, especially midrange richness and purity.

The Krell Duo 125 features 125 watts per channel of power output into 8 Ohms. The Duo 125 will double down to 250watts into 4 ohms. The Duo 125 sports both balanced and unbalanced inputs, an Ethernet port, trigger input and an optional rack mount kit.

The Duo 125 includes an RJ 45 Ethernet connectivity and an internal web page that is accessible from any smartphone, tablet, or laptop. Network connectivity brings convenience, monitoring, and reporting to end users. Amplifier configuration options include display brightness and timeout. For energy conservation, the amplifiers can be programmed to power off at a preset time of inactivity. Individual channels can be muted and firmware updates can be initiated from the built-in web server.

The iBias web server gives you status updates on the Krell amplifier


Krell says that once the amplifier is connected to a network router with Internet access, the amplifier's advanced protection systems can be accessed. Excessive current, output DC, fan speeds, short circuit, and overheating are all monitored in real time. If an issue occurs, the fault is displayed on the front panel and reported on the web server interface. Emails will automatically be sent to as many as three email addresses to notify the end user and/or the dealer of the condition.

Krell's legendary amplification comes usually comes at a price and weight and the Duo 15 is no different. The unit weighs in at 50lbs and retails for $5,500.





Full Specifications for the Duo 125 are as follows:

Frequency response
20 Hz to 20 kHz +0, -0.08 dB
0.5 Hz to 100 kHz +0, -3 dB

Signal-to-noise ratio
>95 dB, wideband, unweighted, referred to full power output
>112 dB, "A"-weighted

Gain
25.8 dB

Total harmonic distortion
<0 .03="" 125="" 1="" 8="" at="" br="" khz="" w=""><0 .17="" 125="" 20="" 8="" at="" br="" khz="" w="">

Input Impedance
Single-ended: 100 kΩ
Balanced: 200 kΩ

Input sensitivity
Single-ended or balanced: 1.63 V RMS

Output power
125 W RMS at 8 Ω
250 W RMS at 4 Ω

Output voltage
89.4 V peak-to-peak
31.6 V RMS

Output current
18 A peak

Slew rate
40 V/s

Power consumption
Standby: 1 W
Idle: 58 W
Maximum: 1350 W

Heat output
Standby: 3.42 BTU/hr.
Idle: 198 BTU/hr.
Maximum: 4617 BTU/hr.

Inputs
2 single-ended via RCA connector
2 balanced via XLR connector

Outputs
2 pairs binding posts

Dimensions
17.1 in. W x 7.65 in. H x 21.10in. D
434 mm W x 194 mm H x 536mm D

Weight
60 lbs., 27.3 kg (shipping)
50 lbs., 22.7 kg (unit only)
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Deal of the Day: Roku LT Streaming Player 20% Off

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The Roku LT Streaming Player features over 1,500 channels of content
Today only, the Roku LT Streaming player is 20% off as part of the BestBuy Deal of the Day. You can pick up the Roku LT player for only $39.99. With more than 1,500 channels, you can choose what to watch from a huge amount of entertainment options, plus sports, live news and international programming.

The Roku LT's HDMI connection supports video quality up to 720p HD (note it doesn't output at full 1080p) and Dolby Digital Plus surround sound. Composite A/V connection supports standard definition quality only.

This unit is Roku's entry-level streaming player and they have it on close out as Roku transitions to a new model lineup.  If you're looking for an entry-level streaming player, you may want to keep this on your short list before the deal and supplies run out.  

If you want a Roku player with full 1080p support, then you might want to check out one the full Roku lineup here.


Deal of the day: 50% Off Yamaha Aventage RX-A830 7.2 receiver

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Best Buy Co, Inc.


Today only, save 50% on this high-performance Yamaha receiver, featuring 4K Ultra HD pass-through and upscaling with network features like AirPlay and Internet radio. You can even control it from your PC, smartphone, or tablet.  You can grab this $899.95 receiver for only $449.95.

Even though this is last year's model, it's a steal of a deal for a solidly built, high performance receiver. 

Amp Case Promises to Personalize Portable Audio Experience with hardware and software solution

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Audiophiles haven't been truly satisfied with the audio quality of their portable devices.  Some, like legendary rocker Neil Young have launched audiophile-focused music players like the Pono.  Others, like Audyssey have launched stand-alone apps like the AMP that attempt to compensate for the acoustic differences between headphones (see our Audyssey AMP review here).

Now, there's a new approach from SoundFocus, a San Francisco-based startup by Alex Selig and Varun Srinivasan that attempts to marry the practicality of an iPhone case with the science of hearing to bring you a personalized and improved audio experience.  (SoundFocus already has an app called "SoundFocus" in the iTunes app store that will offer a tailored audio experience for your music library).

Their idea is called the Amp case (not to be confused with Audyssey's AMP app) and it's a fusion of hardware and software.  According to SoundFocus, the Amp case companies the technology behind hearing aids and professional audio production.  The Amp case uses an audio test that creates a fingerprint of a users hearing pattern and listening preferences so that all the sound from the phone—music, movies, apps, and even phone calls—are all tailored specifically for that user.  

SoundFocus says that the Amp case will personalize the audio by learning a person's hearing pattern, musical preferences and adapting to his or her changing environment.  The Amp case will take these three things—user's hearing, musical preferences, and their environment—and remaster the audio on the fly both through the Amp case's speakers and through audio coming from the headphone jack.

The Amp case almost seems like a hybrid of a DAC,  Mophie battery case, and external speaker attachment.  The case includes speakers as part of the case that include 14x20 mm drivers and a 6 cubic centimeter acoustic back flow that SoundFocus claims delivers "warm, rich bass notes and crisp highs." The case includes an ARM M4 processor with a 24-bit digital-to-analog converter and a headphone amplifier.  SoundFocus says that the Amp case will also increase a smartphone's battery life by more than 25%.

The Amp case from SoundFocus uses a hardware and software solution to personalize audio on the iPhone.
As you can see, packing all those items in appears to drastically increase the length of the iPhone and add some heft to the back.


The case, which will be available for the iPhone 5, iPhone 5s, iPhone 6 and iPhone 6 Plus, has an introductory price that's 50% off for only a few days.  You can pre-order an Amp case for $69 before the price doubles.



If you want to learn more about this interesting approach to portable audio, you can checkout the Amp case site at: www.ampaudio.com

HBO Go Available Without Cable Subscription in 2015

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HBO Go will be available as a stand-alone service in 2015.

If you're like me, you're fed up with paying a large monthly cable bill for the relatively few channels that you watch.  I finally cut the cord on cable and documented my journey in a multi-part article series.  Now,cable-cutters will have even more reason to rejoice when HBO will finally be available as a stand-alone service without a subscription starting in 2015.  According to a detailed article over at recode.net, HBO's CEO Richard Plepler, broke the news during an investor presentation where he said that the company will start selling in 2015 a digital version of its service that won’t require a pay-TV subscription.

According to recode.net, the unexpected move has apparently come from investor pressure to show that Time Warner can extract more value from HBO.  It also appears that we have Netflix' continued meteoric rise and dominance to thank for that move.  According to Recode.net, Netflix, which has more than 50 million subscribers, may generate more revenue than HBO this year.

It will be interesting to see how this move affects both the cable industry and the ever-impending migration of entertainment services to an Internet-based, on-demand model.  Many users don't cut cable because of the unique access to Sports (especially ESPN) and premium movie channels (especially HBO).  


Reader Questions: Focal Profile 908 Diamond in a 2-Channel Setup

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I occasionally get reader questions via email.  If those question are of broader interest, I like to address them here.  

The Focal Profile 908 Diamonds are on Sale and Music Direct in Chicago.
Luke F. sent in a question in response to my posts about the incredible sale price of the Focal Profile 908 Diamonds over at Music Direct.  Luke writes, "I was wondering if these speakers [Focal 908] will work well in a 2.0 system, or if they need a subwoofer?"

Luke, I am personally a big fan of the Focal Profile 908 Diamonds.  What I feel they do exceptionally well is image and throw a great soundstage—especially for their size.  I had the opportunity to compare these speakers head-on with their larger siblings, the Focal Profile 928 Diamonds in a 2.0 configuration.

Both were driven by a Krell integrated amplifier and if you know anything about Krell amps, they do an amazing job of gripping that bottom end.  Therefore I've probably heard the Focals with some of the best amplification that would bring out the potential in their bottom end.

I got a good idea of what both speakers could do when driven full range.

Whether or not the Focal 908s (like any bookshelf) will work well in as 2.0 setup will depend largely on the music you listen to.  However if you're serious about your two-channel music then I would strongly suggest pairing the Focal 908s with a subwoofer for a few reasons.

First, the 908s only go down to 50 Hz (+/-3db).  For a command of music, I like to have a system that can comfortably go down into the low 30s.  In almost every instance, that means adding a subwoofer.  There are a few bookshelf models that can be deceptively good in a 2.0 setup.  The speakers that immediately come to mind in such a requirement are the Joseph Pulsars.  The Pulsars will go down to 42 Hz and you keep doing a double-take as you listen to them thinking that there's a subwoofer somewhere handling the lower end.  The Joseph Audio Pulsars, however list at $7,000/pair vs. the $1,000 sale price of the Focals.   That's a huge price difference.  (Note, I just saw that Music Direct has increased the price of the Focal 908s from $999 to $1,199.  Call them and see if they will honor the old $999 price or pickup their one demo pair for $975). 

For the difference in price, you could buy four SVS SB13-Ultra subwoofers and have an amazing 2.4 audio system.  But I digress.

Secondly, you can take advantage of the Focal 908 sale price to get a superb subwoofer.  The SVS SB13-Ultra at $1,599 is one of the best subwoofers you can buy for under $3,000.  You can read what I thought of that sub here.   If you were to pair the Focal 908 Diamonds with an SVS SB13-Ultra, you'd have an incredible-sounding 2.1 system for a total price of just about $2,700.  If that pricing is too high, then I'd suggest pairing with one of the step down models in the SVS line.

In summary, if you're a serious two-channel guy, I wouldn't go with the Focal 908s in a 2.0 setup.  I'd pair them with a capable sub.  Thanks for writing in Luke!


SVS Subwoofers Now Available at Magnolia Design Centers at Best Buy

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SVS SB-2000 Subwoofer along with the SB-1000 and SB13-Ultra will be available at select Magnolia locations.

For years, SVS has been well known and respected in the audio and home theater community. Many audiophiles and home theater enthusiasts haven't had a chance to experience products from the SVS line because the company's business model has largely been direct to consumer. That is about to change in a major way with SVS announcing a partnership with BestBuy's Magnolia design centers. 

SVS' top of the line SB13-Utra subwoofer will be available for audition at Magnolia locations.

You will now be able to audition and purchase SVS products at Best Buy locations across the country with a Magnolia design center. You won't be able to see the entire SVS product line, however. Only SVS'sealed line of subwoofers, the SVS SB-1000, SB-2000 and SB13-Ultra, will be available.  I'm a big fan of the SB13-Ultra as I noted in my review.

SVS SB-1000 Subwoofer

If you want to audition or purchase any of the Prime or Ultra series of speakers or any of the ported or cylindrical subs, then you'll either need to visit an authorized installer or dealer or order online with SVS's 45-day no hassle in home trial.

Reader Questions: Speaker Upgrade on a budget—used Paradigm Studio or Magnepan MMG?

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I occasionally get reader questions via email. If those question are of broader interest, I like to address them here. 



I received an email from Chris M., who is a fellow poor audiophile. Chris has been working to slowly upgrade his gear over time and has been looking for good local deals on gear. With young kids, it's tough to justify why he needs to upgrade his gear. Chris currently has a pair of Polk Monitor 70s, an Adcom 5500 and a Kenwood C1 preamp with vinyl and CD as sources.   Chris' budget is about $500.

As part of his email, Chris writes, "There is someone selling some Paradigm Studio 60's (v2) for about $500 locally - excellent condition.. do you have any experience with these speakers? any thoughts on their sound vs. $300 Polks? Also - any idea how the sound of the Paradigms would compare at the same price point to say Maggie MMG's (kinda wish i could hear those too based on what I read)."

Chris, once again thanks for writing in and I have some thoughts for you to consider.


First, since you are a father of two young kids and you want to be as wise as you can with your audio investments, I suggest you always try and quantify what you feel needs improvement in your system.    Our audiophile passion is a great hobby but we can also get carried away.  

Second, just because something is older doesn't mean it is obsolete.  Some technologies change faster than others.  Some pieces of equipment, like amplifiers, hold their value and their performance for many, many years and can still sound great decades later.  The Adcom 5500, for example, is a beefy amp with great power for your speakers. 

Third, the speakers you are considering are two completely different speaker technologies and, consequently, do certain things differently.  The Paradigm Studio 60s, for example, are traditional dynamic speakers that have a tweeter and cone drivers mounted in an enclosure. 

The Magnepan MMG Speakers
The Magnepans (affectionately called Maggies) are planar magnetic speakers and use a thin magnetic film which vibrates to create the sound.  Consequently, there's no box or enclosure to color the sound of a  Maggie.  The tweeter portion of Magnepan speakers is usually a true ribbon tweeter in their higher end models and a quasi-ribbon tweeter in their lower-end models.  Because of their design, you generally need to pair Magnepans with a subwoofer.  Magnepan speakers are a bipolar design with sound emanating from both the front and back of the panel.

Because of the differences in the underlying technologies between the Paradigm and Magnepans they do certain things, well, differently.  Magnepans, for example will throw a huge, lifelike, three-dimensional soundstage.  Maggie's will give you a life-like soundstage that is incredibly alluring to so many audiophiles.  If you play a pair of Maggies next to dynamic or "box" speakers you'll be shocked at the difference.  Maggies also won't go deep into the base unless you are looking at their top of the line models.  With the MMGs you will absolutely need a subwoofer to get deep notes.  The MMGs are rated to go down only to about 50 Hz.  

Conversely, Maggies usually need good amplification and an amplifier that can be stable down to 2 or 4 ohms.  Even with lots of power, Maggies won't play as loudly as dynamic speakers.  

My point is that I can't tell you which of the two speakers are "better" because they cater to very different aspects of the audiophile experience.  I think you will like one or another better based on your listening preferences and what audiophile elements you value more. 

Regardless, whether you choose the Maggies or the Paradigms, I think either model will be a substantial upgrade in comparison to the Polks.  Consequently, I would suggest that you try and audition both speakers.  Although Magnepans are only available through authorized resellers, the MMGs are an exception. You can order them through Magnepan directly or via an authorized reseller with a 60-day money-back guarantee.

This is one of those cases where I think you're in a win-win.  This process will give you a way to further identify what audiophile aspects you value.  Any poor audiophile should be so lucky to choose from two excellent speakers.





Bowers and Wilkins Announces the T7 Bluetooth wireless streaming speaker

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Bowers & Wilkins needs no introduction in the world of high end audio.  Some years ago, the venerable speaker maker ventured into the portable and digital audio world with tabletop speakers that featured iPod integration.

October 21, 2014 - Bowers & Wilkins T7 combines Bluetooth wireless streaming with compact size, rechargeable convenience, Bowers & Wilkins’ legendary approach to high-quality sound and the first commercial application of Bowers & Wilkins Micro Matrix technology. The result is Hi-Fi untethered.

T7 is Bowers & Wilkins first Bluetooth speaker, and as with everything Bowers & Wilkins does, T7 is all about sound. The compact speaker features the first commercially available application of Bowers & Wilkins Micro Matrix technology. Derived from the Matrix internal bracing used in the reference 800 Series Diamond loudspeakers found in Abbey Road Studios, and developed as part of Bowers & Wilkins next-generation automotive audio concepts, the Micro Matrix honeycomb structure provides substantial cabinet stiffening and a solid platform for the T7’s drive units.



T7 uses two (patent-pending) force-canceling high-output bass radiators to extend low frequencies, which help deliver staggering range, depth and richness. The T7’s two highly optimized 2 inch (50mm) drive units are the result of a very long evaluation process. A process undertaken by some of the very best listeners in the business: Bowers & Wilkins acoustic engineers. Plus, the use of aptX Bluetooth ensures high-definition detail isn’t lost in wireless transmission when you stream audio directly from any Bluetooth-enabled PC, tablet or mobile phone.

Bowers & Wilkins products are always designed with simple interfaces. Always aiming to keep buttons and feedback to a minimum, while still supporting the essential use of the product. With T7, the user interaction goes a step further, and the easy-to-use, yet unobtrusive controls are supported by a unique collection of audio cues developed in collaboration with Mira Calix, an international composer, artist, and performer who works with sound across a range of formats.

T7 is the most portable standalone speaker Bowers & Wilkins has ever produced. The size of a hardcover book, it’s designed to be picked up and carried with you. T7’s rechargeable battery grants you the freedom to take it with you wherever you go, for up to 10 hours at normal listening levels.

While T7 is compact, it’s reassuringly solid, with the heavy-duty stability you would expect of a high-quality speaker. The rubber surround adds protection and tactile quality, adding to the speaker’s distinctive, elegant design.

T7 offers genuine hi-fi sound, with no strings attached.

T7 features


Micro Matrix The distinctive honeycomb structure surrounding T7 isn’t just for show. Micro Matrix braces the speaker, reducing cabinet resonance for a cleaner, more precise sound.

Drivers T7 uses two highly optimized 2 inch (50mm) drivers to ensure the highest quality of sound from the small enclosure. The driver diaphragm is made from glass fiber, the same material used in Bowers & Wilkins award-winning Wireless Music Systems.

High-output bass radiator T7 also uses two (patent-pending) force-canceling high-output bass radiators designed to provide impressive bass, even at top volume, without adding resonance or rattle. The result is cleaner, more powerful bass, from a smaller box.

Electronics High-performance digital-to-analogue converters (DACs) ensure audio is as faithful as possible to the source material. Digital signal processing ensures sound is controlled, whatever you’re listening to and no matter how loud. Two filterless class D amplifiers deliver smooth and open high frequencies, intelligible midrange frequencies and tight bass.

Bluetooth with aptX Bluetooth wireless streaming is built into nearly every modern portable device – laptops, smartphones and tablets. And, with aptX, the Bluetooth listening experience is improved significantly by improving the transfer of data without affecting audio quality or introducing latency issues.

User interface A simple-to-use, intuitive user interface is supported by a pallet of unique audio cues developed in conjunction with composer, artist and performer Mira Calix.

Play anywhere A heavy-duty Lithium Ion rechargeable battery means you can forget about plugs and power sockets. T7 will go anywhere and everywhere.

To support the global launch of the T7, Bowers & Wilkins will initiate a year long Instagram campaign designed to celebrate the T7 experience through new owners who submit videos and images of how and where they use their new T7. Using #T7takesme individuals who best capture their experience will be awarded each month.

The new T7 is available this October and priced at USD $349.99


About Bowers & Wilkins

Bowers & Wilkins is Britain’s leading exporter of loudspeakers and the number one imported brand in North America. Since 1966, Bowers & Wilkins’ “Quest for Perfection” has resulted in a succession of technical loudspeaker innovations that have satisfied the world’s most demanding listeners. Its products’ rave reviews and universal acceptance as monitors for classical music recording have helped Bowers & Wilkins become the dominant premium loudspeaker company throughout the world.

TAD launches CE1 Bookshelf Speaker with Beryllium Tweeter and Bi-directional ADS Port Technology

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I've personally been a fan of speaker designer Andrew Jones and the team over at TAD. It's not often that you find someone who makes both cost-no-object designs (with TAD)and well-regarded speakers costing only a few hundred dollars (with Pioneer) for poor audiophiles.

While this new TAD-CE1 bookshelf speaker is well out of the price range of every poor audiophile out there, I wanted to share some of the neat things that Andrew and his team have been working on.  

The Compact Evolution One (CE1) bookshelf speaker takes some of the design elements from TAD's reference series including a beryllium tweeter.  Here are the official details about the new CE1 from TAD.

A new point-source milestone with beryllium tweeter coaxial driver and bi-directional ADS port technology

Melsele, Belgium (September 19, 2014) - Following the first public showing of the TAD-CE1 concept earlier this year at the Munich High-End 2014, Technical Audio Devices Laboratories, Inc. now announces the release of the TAD Compact Evolution One bookshelf speaker.




Designed and developed entirely in-house, the TAD-CE1 is the next step in the brand’s commitment to develop and manufacture products of the highest possible sound quality. The TAD-CE1 inherits the groundbreaking loudspeaker technology from the TAD-R1 Reference Series, and comes in a compact, stylish enclosure that fits both modern and traditionally styled interiors.

“TAD’s philosophy has always encompassed the belief that audiences should be able to access the richest and purest sound experience possible in their own home environment,” said Andrew Jones, director and chief engineer for TAD Laboratories “Adding the TAD-CE1 bookshelf loudspeaker to the Evolution series is an important extension of our line-up that provides us the opportunity to take the most discerning of audiophiles on a true sensory experience from source to sound.”

As the second loudspeaker in this category, the TAD-CE1 further completes TAD’s high-performance “function meets form” Evolution Series, consisting of the D1000 Disc Player, DA1000 D/A Converter, C2000 Preamplifier and M2500 / M4300 Power Amplifiers. The Evolution series provides precise audio quality that sounds completely natural and achieves unprecedented levels of performance.

The design of the TAD-CE1 is closely aligned with that of the TAD-D1000 Disc Player and the TAD-DA1000 D/A Converter. In addition to the initial release model - pictures above - the introduction of additional cosmetic variations based on combinations of two side frame colours (black/white) and two aluminium panel colours (silver/grey) is envisioned to respond to customers’ demands.
Highlights of the TAD-CE1 include:

CST (Coherent Source Transducer) Coaxial Driver with Beryllium Tweeter and Magnesium Midrange

The heart of the TAD Compact Evolution One is the CST driver developed from that used in the TAD Reference One - a driver that embodies the single point source concept. For highly improved imaging and a more consistent sound throughout an entire listening room, TAD’s Coherent Source Transducer (CST) was designed with the tweeter diaphragm mounted concentrically within the midrange cone. This design provides a point source of sound from 250 Hz to 100 kHz, enabling matched arrival times of midrange and tweeter sounds.

In order to accurately reproduce the high frequencies, beryllium is employed for its highly rigid and extremely light-weight properties. TAD’s original vapour deposition process ensures the tweeter produces audio that is well controlled and that extends well above the range of audibility. For reproduction of the midrange, a magnesium diaphragm provides a superb combination of stiffness, low mass and durability resulting in low coloration and astonishing accuracy.

MACS (Multi-layered Aramid Composite Shell) One-piece Woofer Cone Construction and Bi-Directional ADS (Aero Dynamic Slot) Port System

The TAD-CE1’s woofer uses a one-piece dustcap / cone construction that eliminates the loss of strength frequently found in conventional woofer cone construction. The technique increases the strength and virtually eliminates weak points on any part of the cone. The cone construction is further strengthened by the TAD developed MACS (Multi-layered Aramid Composite Shell) process, using multiple layers of aramid fibers to provide low mass with high rigidity to resist back pressure from the cabinet.



The TAD-CE1 uses a bi-directional ADS (Aero Dynamic Slot) port system. On either side of the cabinet a bi-directional slit-shaped port (duct) is covered by an aluminium side panel. The openings are horn-shaped to achieve a smooth airflow. This design reduces port noise - even at high amplitude - and prevents leakage of internal standing waves. The

bi-directional (forward-backward) and symmetrical (left-right) layout of the port openings further offsets the driving force to the port to guarantee a responsive and natural bass sound.

SILENT (Structurally Inert Laminated Enclosure Technology) Enclosure with Cosmetic Finish Flexibility

he SILENT (Structurally Inert Laminated Enclosure Technology) enclosure features a framework of high rigidity birch plywood combined with MDF (Medium Density Fiberboard) for high internal loss, achieving an enclosure that combines high strength with low resonance. 10 mm thick aluminium panels are attached to the left and right side of the speaker cabinet to further reduce resonances. In addition, the standing waves inside the cabinet were analyzed and largely eliminated through purposely positioning specially adapted acoustical material inside the enclosure.

The central section of the cabinet is finished in wood-grain of tropical olive wood veneer with a highly-transparent protective layer. The side frames with integrated aluminium panels allow the future introduction of cosmetic variations: the base model of the TAD Compact Evolution One (TAD-CE1-KS) features black side frames with natural colour brushed aluminium panels, but the introduction of additional variations based on two side frame colours (black/white) and two brushed aluminum panel colour choices (silver/grey) are envisioned.

The exclusive, custom designed TAD-ST2 speaker stand is a natural extension to the TAD-CE1, both in terms of performance and aesthetics. The stand is available separately and is finished in a stylish combination of black matte and black piano coating (TAD-ST2-K). A white version of the stand is foreseen as well.



Availability
The TAD-CE1 Compact Evolution One bookshelf loudspeaker will be available in Europe as from early 2015.  While the official release above did't specify pricing, I've poked around and seen that the CE1 will have a retail price of £15,995.

Main specifications - TAD-CE1

Type3-way, bass reflex, bookshelf type
Speaker structure3-way system
Woofer18 cm cone type
Midrange / TweeterCoaxial 14 cm cone type / 3.5 cm dome type
Reproduction frequency band34 Hz-100 kHz
Crossover frequency250 Hz, 2 kHz
Output sound pressure level85 dB (2.83 V-1 m)
Maximum input200 W
Nominal impedance4 Ω
Unit polarityLow range (+), middle range (+), high range (+)
External dimensions290 mm (W) x 524 mm (H) x 446 mm (D)
Weight30 kg
AccessoriesShorting link cable x 2, cleaning cloth

Emotive Announces Fall and Winter Deals on Select Products

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Emotiva has announced its traditional fall and winter site-wide sale on amplifiers, pre-pros, receivers, and speakers.  Sale pricing ranges from about 5% to 10% of list price.  Emotiva's E-Club members will receive an additional 10% off the sale pricing.

A list of the products on sale can be found below and also on Emotiva's Fall/Winter sale pricing page.

XPA-1 was $1,099 now $949
XPA-2 was $899 now $749
XPA-3 was $799 now $679
XPA-5 was $999 now $888
XPA-7 was $1,599 now $1,439
XPR-1 was $1,699 now $1,529
XPR-2 was $1,799 now $1,619
XPR-5 was $2,299 now $2,069
XPA-100 was $349 now $319
XPA-200 was $399 now $339
UPA-700 was $399 now $359
UPA-500 was $349 now $314
UPA-200 was $299 now $269
Mini-X was $219 now $189
UMC-200 was $599 now $539
XSP-1 was $999 now $888
DC-1 was $499 now $474
Fusion 8100 was $499 now $449
ERC-3 was $399 now $359
XPS-1 was $149 now $141
UAW 6.2 was $149 now $134
UAW 8.2 was $169 now $152
UAC 8.2 was $159 now $143
UOM 6.2 was $199 now $179
Airmotiv 4S was $299 now $284
Airmotiv 5S was $349 now $332
Airmotiv 6S was $499 now $474

Free Immersive Sound for Cinema Webcast by SMPTE (The Society of Motion Picture & Television Engineers)

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On Tuesday, November 4, 2014 at 1:00pm Eastern, 10:00am Pacific and 18:00 UTC, the Society of Motion Picture and Television Engineers (known as SMPTE) will be holding a free webcast on immersive sound in the cinema.  Immersive sound is the term now used to describe a three dimensional sound field with sound that comes from all around the audience as opposed to just a single plane typical of a 5.1 or 7.1 system.

The SMPTE webcast will include an overview of what makes immersive sound technologies different from other audio technologies and a review of global adoption in the cinema.  You can learn more about the web cast and register directly from the SMPTE web site at: https://www.smpte.org/webcasts/immersive-sound-for-cinema.

Thanks to Scott Wilkinson, host of Home Theater Geeks and director of content for AVS Forums for helping promote awareness of this event.

Dynaudio Launches Focus XD Active Loudspeakers

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Several years ago, I had the opportunity to do an extended listening session with a pair of Dynaudio monitors driven by an integrated amplifier. There was so much to like about the presentation of those Dynaudio speakers that I've always had a tremendous respect for Dynaudio ever since.

Now, Dynaudio has launched a new line of speakers, the Focus XD, which is an active speaker with built-in DSP's so that a digital audio signal remains in the digital domain from the source to driver without any analog conversion.  Some audiophiles are huge proponents of active speakers because an active speaker design allows the manufacturer to control and tune all aspects of the speakers—including all-important amplification and DSP processes.

Dynaudio seems to have designed the Focus XD line with the modern listener, convenience, and digital sources in mind. Dynaudio claims that the Focus XD line is not just a new high end loudspeaker line but a re-definition of the Hi-Fi system itself. Technically speaking, all you need is a music source and you're good to go.



The Focus XD series, comprised of the compact 200 and floor-standing 400 and 600 models.

The Focus XD models integrate powerful digital amplifiers, a high-performance DSP, have their own digital volume control, and even have their own digital and analog inputs. For the contemporary music listener who wants everything streamlined and integrated, the Focus XD series is an interesting approach, akin to Meridian's long-standing all-digital approach.





Each Focus XD model has direct, high-resolution-capable digital inputs (75 ohm coax) and an
additional analog input (RCA). Since the volume and tone are adjusted directly in the
speaker, the only thing required is an audio source. In addition, the Focus XD can be
wirelessly connected to the Dynaudio Hub: The Hub accepts both analog and digital audio
sources, such as computers, Bluetooth receivers or televisions, and sends the audio signal
wirelessly to the Focus XD speaker. Multi-room and multi-source system installations are also
possible.



The Focus XD has a speaker position EQ with which the bass response can be finely
adjusted to the room acoustics.

This way, with a speaker setup near a wall or corner, the bass energy can be reduced in order to achieve a balanced playback. Similarly, the high frequency range can be discreetly raised or lowered. All properties are consistently adjusted digitally and are thus lossless. The input sensitivity on the Focus XD analog input can be adjusted with analog music sources.

The Focus XD models are available in satin white and satin black lacquer as well as in rosewood and walnut real wood veneer finishes.

The remote control is designed in black aluminium. spike outrigger feet with integrated spikes are an additional key feature on the floor-standing models: With a few simple turns, the spikes are exposed and the speakers can be leveled for stable positioning on uneven floors, while for sensitive floor surfaces they can be completely retracted into the feet. Like all Dynaudio speakers, the Focus XD is built in Skanderborg, Denmark.

The Focus XD models
Focus 200 XD– Digital high-end active-compact speaker with a 2-way amplifier and 300 watt power. Price: £4500

Focus 400 XD– Digital high-end active standing speaker with 3-way amplifier and 450 watt
power. Price: £7250

Focus 600 XD– Digital high-end active standing speaker with dual woofers, a 4-way
amplifier and 600 watt power. Price: £8950

More about the Focus XD is available on a dedicated landing page on the Dynaudio web site at: http://focusxd.dynaudio.com

MartinLogan to Demo New Flagship Neolith Speaker at Free Event in Wilmington, Delaware on Saturday

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The MartinLogan Neolith Loudspeaker
This Saturday, November 8,  MartinLogan will be holding a free event to demo their new flagship loudspeaker, the Neolith.  The event, called "Truth in Sound," will take place from 11:00am to 6:00pm at Overture Ultimate Home Electronics at 2423 Concord Pike  (Rt 202) in Wilmington, DE  (phone 800-838-1812 or 302.478.6050 and e-mail:info@overtureav.com).

If you come to the event, you can bring your own music and hear it played through the Neolith—a very cool opportunity! Come early, however, because the ability to play your own music on the new flagship speakers will be on a first-come-first-served basis.  Light snacks and a selection of hot and cold beverages will be served.

The event will likewise be an opportunity to meet and talk with some of the MartinLogan team.  The "Truth in Sound" event will feature members of the MartinLogan sales, marketing and engineering team, along with Overture’s founder Terry Menacker, who will all be available to answer questions, perform demos and provide an exclusive behind-the-scenes look at the intensive development process that created Neolith.



MartinLogan says that the built-to-order Neolith loudspeaker is the result of an ambitious 3-year-long development process. The Neolith combines the innovations of MartinLogan's legendary Statement Evolution 2 loudspeaker with the iconic simplicity of the original Monolith loudspeaker.



Detail of the integrated subwoofer that forms the base (and bass) of the Neolith.  From the looks, this full range electrostatic speaker will have some serious low-end authority.



The design elements of the Neolith are classic MartinLogan but with added styling.

According to MartinLogan, Neolith features their largest-ever electrostatic radiating surface. MartinLogan says that the Neolith's proprietary curvilinear electrostatic transducer delivers an enveloping 3-dimensional soundstage. Unique Controlled Dispersion Technology gives each transducer the ability to reproduce nearly the entire audio spectrum in any room.   For MartinLogan, this allows the Neolith to achieve "living sound"—revealing audio as it was originally performed.

Audio events like these are a great opportunity to demo the latest speaker designs and technologies.  There is a press-only event the evening before.  I hope to have more info on the Neolith following the press event.  A full list of all the Sound in Motion events is listed below:






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