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MartinLogan Depth Subwoofer $850 Off

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I've always loved MartinLogan's subwoofers. Now you can get a super deal on MartinLogan's acclaimed Depth subwoofer. The MartinLogan Depth subwoofer retailed for $2,195 and is now on sale for only $1,345 -- that's $850 off!  Why the sale?  MartinLogan has now discontinued the Depth subwoofer so you can get a super-steal on this deal.

Only the black ash finish is left.  And once they are gone, they are gone.  If you're concerned about getting a discontinued sub, don't be.  It comes with full warranty and the performance is there.

MartinLogan's Depth subwoofer has three 8" drivers that achieve the output of a 15" drive unit.
Three bass drivers give MartinLogan's Depth i powered subwoofer a huge performance edge. MartinLogan says that by operating three 8" aluminum cone drivers in parallel, the Depth i subwoofer achieves the displacement and acoustical output of a 15" drive unit. The advanced-technology bass drivers achieve very low distortion for clean, highly musical low frequency reach.  You can read all about the details of the Depth Subwoofer's features from MartinLogan's page here.

If you're in the market for a subwoofer, looking for a super deal for Christmas, this is worth a serious look.  Click here to get the deal while supplies last.


The Depth subwoofer provides extensive high pass, low pass, phase and level adjustments to help you integrate the sub perfectly with your main speakers.

Best Subwoofers Under $5,000: The Best Sub Models for Music and Home Theater

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As you start to cross the $1,000 threshold you start to get a number of options for subwoofer performance and value. Subwoofers in the $1,000 - $5,000 price range will tend to give you larger woofers, better amplification, deeper and tighter bass, and include multiple input options (balanced and unbalanced), and get you to a real sweet spot between price and performance. Most subwoofers in this category will tend to be made locally in the home country of the manufacturer--USA, Canada, Great Britain, etc. Build quality, engineering, and materials are all top-notch including those models made overseas in China.

If you are serious about your audio and home theater performance and cannot afford the best of the best subwoofers that are out there (the over $5,000 category), then this is the ideal target range for your best bang for the buck.
Sure, you can spend more than $5,000 and go up yet another level in performance but if I had a choice, I'd prefer spending that extra money on better left and right front speakers.

The subwoofers in this category have a tendency to cure the audiophile upgrade disease. These subs will easily keep up with speakers ranging from $2,000 all the way up to $25,000 or more. Subwoofers making this cut will take hold of any medium size or large listening space with masterful finesse. I've auditioned many of these subs personally in setups with incredibly expensive speakers from Paradigm, Revel, and Wilson.

These subs will finally start to do justice to the delicacies and weight that bass notes in music require in addition to the brute force and impact for LFE movie channels. For those fortunate enough to be shopping in this category and for those aspiring to own subs in this select group, here's my shortlist sorted by price from most to least expensive:

Best Subwoofers $5,000 and Under

REL Gibraltar G-1 Subwoofer

REL Acoustics Gibraltar G-1 (MSRP $4,499)

For years, REL has been the go-to-brand of subwoofers for audiophiles. In fact, some audiophiles will go so far to tell you that REL subs are the most musical subs on the market. Nevertheless, as good as REL’s reputation has been, some have shied away from using them for home theater or high-end multipurpose music and theater environments. REL’s certainly changing that opinion with their Gibraltar subwoofers. Deliberately conjuring up images of the massive monolithic limestone rock, the Gibraltar G-1 doesn't’ disappoint. It features a 12" long-throw carbon-fiber driver driven by a conservatively-rated 600W amplifier that will play down to 15 Hz (-6db). And this isn’t your run of the mill Class-D amplification. REL has chosen to go with a Class A/B amplifier to power the Gibraltar series. Offering all the musical magic REL has been known for while adding the bass extension to play the deepest organ notes and the slam to please home theater enthusiasts, the REL Gibraltar G1 should be at the top of anyone’s list to audition.

JL Fathom f113 Subwoofer

JL Fathom f113 (MSRP $4,300)

The Fathom line ushered in the age of JL Audio's domination of the subwoofer world. I've never seen so may high-end dealers drop other brands in favor of JL Audio subs. The Fathom f113 builds upon the legacy of the Fathom line. By being on this list, you know that this is one of my favorite subwoofers under $5,000. Its fit, finish and build quality are without equal and the Fathom f113's performance is also at the top of the charts. If you want to truly replicate the best movie theater experience in your home, then put in a pair of Fathom 113s and prepare to be blown away. The f113’s 2,500W of raw power brings thunderous, brute-force performance. If you haven't heard this subwoofer, then you need to make an urgent appointment for an audition.

MartinLogan Balanced Force 212 Subwoofer

MartinLogan Balanced Force 212 (MSRP $3,995)

MartinLogan has done it again. The Balanced Force 212 features two 12" aluminum cone diaphragms driven by dual 850W amplifiers for a total of 3400W peaks. The oppositional 12" diaphragms will play down to 18Hz +/- 3dB and cancel out distortion caused by cabinet vibrations. The optional MartinLogan Perfect Bass Kit (sold separately) is one of the true gems of the room correction world and will fine-tune the bass to your room. The one-two punch of the Balanced Force 212's incredible performance and Perfect Bass Kit integration makes this subwoofer an unbelievable performer worthy of inclusion in any discussion of best subs.

Paradigm Sub 15 Subwoofer

Paradigm Sub 15 (MSRP $3,499)

I need to make a confession. This is the subwoofer that I have long wanted to own. And now let's be honest blunt and honest, who wouldn't? This is a sub capable of low frequency extension down to 12Hz. Let me say it again, 12Hz. That will make you feel like you're re-experiencing your entire movie collection for the first time. The Sub 15's 15-inch woofer is driven by 1700W of continuous power from dual 850W amplifiers capable of delivering 3400W of dynamic peak power. The Sub 15 has a USB port that provides built-in-integration with Paradigm's Perfect Bass Kit (PBK) which is among the best room correction solutions available. If you are a serious bass-aholic then you may have found your perfect match with the Paradigm Sub 15.


JL Fathom f110 subwoofer

JL Fathom f110 (MSRP $2,600)

It's unfair to call the JL Fathom f110 the f113's little brother. In fact, auditioning to the f110 will tell you immediately that this is one little guy who can handily stand on his own two feet while letting you know right away that his pedigree is all JL Fathom. Crisp, clean, amazing bass within its stated frequency range (down to 27Hz) is all you'll get from the f110. It's amplification is slated to be 900W RMS for short term peaks but wow does this sub perform like it has so much more. The f110 is an ideal solution if you have a smaller or medium size room, where you cannot accommodate the larger footprint or price tag of the f113, or you just don't need or want ultra-low frequency extension. I heard the legendary home theater demo train wreck scene from the movie Super 8 through a pair of JL Audio f110s and it was an awe-inspiring, chest-thumping thrill ride. Don't believe me? I dare you to take a pair out for an audition.

Paradigm Sub 12 Subwoofer

Paradigm Sub 12 (MSRP 2,499)

If you're looking for something more modest than the Paradigm Sub 15's price tag and size but don't want to compromise an iota in  performance or the deep octave reaches of the world's great organs, then the Paradigm Sub 12 may be your answer.  The Sub 12 features a single high-excursion driver with a built-in Ultra-Class D amplifiers.  Like it's larger sibling the Sub 15, this baby is all about performance and control.   The power output of the Sub 12 is identical the Sub 15.   The Ultra-Class D amplifiers are capable of producing a continuous 1,700W (from dual 850 watt amps) while thrusting out 3,400W peaks.  Low frequency extension is rated to go down to an awesome 16Hz.  The Sub 12 comes in a number of gorgeous wood finishes to fit into any decor.  And, like it's larger sibling, the Sub 12, comes ready to work seamlessly with Paradigms optional Perfect Bass Kit (PBK).  If you have a high-end two-channel system without room correction or with inferior room correction, the PBK will root out any room anomalies affecting the awesome potential of this sub in your room. 
SVS PB13-Ultra Subwoofer

SVS PB13-Ultra (MSRP $1,999)

The SVS PB13-Ultra is a 155lb monster that's ready to tackle any source material. Unlike the SB13-Ultra, which is a sealed design, the PB-13 Ultra is a triple-ported design with three 3.5" ports and allows it to go far deeper than the SB13-Ultra. You can tailor the PB13-Ultra to perform in one of three tuning modes, which alters its frequency response to match any room. You can set the sub for sealed mode, 20Hz mode, or 16 Hz mode. In 16 Hz mode, the sub will go all the way down to 14 Hz +/- 3dB. If you prefer the flexibility and want the impact of the lowest possible subterranean bass notes then the PB13-Ultra is your sub. If, however, you prefer the traditional merits of a sealed design then the less expensive SB13-Ultra may be a better fit.

SVS SB13-Ultra Subwoofer

SVS SB13-Ultra (MSRP $1,599)

The Rocky Balboa of the subwoofer world. The SB13-Ultra subwoofer has no right to sound as awesome as it does at its price point. If you think you need to spend thousands for dominant subwoofer performance, then the SB13-Ultra will disabuse you of that misperception. In fact, the SB13-Ultra will likely cure you permanently of the subwoofer upgrade itch. Without breaking a sweat, the SB13-Ultra will compete with and even beat out other subwoofers costing 2x - 3x its price. Build quality is exceptional. A 13-inch woofer and 3” voice coil are powered by a DSP-controlled 1000W Sledge STA-1000D amplifier that’s capable of 3600W peaks. With a 45-day in-home, no risk trial, you can try out the SB-13 in your own setup. If you’re looking for champion performer then you’ve found your sub. The SB13-Ultra is probably the best price/performance value in subwoofers, period. How much did I like the SB13-Ultra subwoofer? I purchased the demo pair after my review. I dare you to try them in your home for the risk-free 45 day trial. You won't send them back.

Last Chance: Download all 24-Bits of Christmas from Linn for free

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Did you miss any of the free songs from Linn's 24-Bits of Christmas promotion where you could download a free 24-bit studio master each day? Well, today only Linn is providing a special treat. Just in case you missed a few, you can download the entire '24-bits of Christmas' album, including the final track in the collection from Ian Shaw – ‘praised far and wide as the single greatest male jazz vocalist Britain has to offer’ (Jazz Times).

Click here to take advantage of this special Christmas gift before the deal runs out!

What kind of Christmas songs are kids learning?

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Christmas songs are one of the few American traditions where pretty much everyone can sing together regardless of cultural, ethnic, or religious background.  I can't say that I've ever come across any  traditional Christmas song that was labeled as explicit, incited violence, or was somehow considered culturally subversive.  Many of these traditional songs have been recorded by biggest musical stars of multiple generations and who themselves are of multiple faith groups. 

This past week, however, I had the most bizarre--and I mean bizarre--discussion about Christmas songs in schools where some schools are deliberately changing the words of Christmas songs so that the word "Christmas" is never sung.  

To me, this is absurd in and of itself. However the absurdity went to a whole different level of head scratching where school systems are seriously considering changing the words for Christmas songs to be non-offensive. In this discussion,  "Have a Holly Jolly Christmas" was going to be changed to "Have a Holly Jolly Nondenominational Celebration of Winter." 

As an audiophile and lover of the integrity of music I'm appalled.  I'm embarrassed for those administrators who have to spend time on this. 

This is parody. Period. 

I think Weird Al Yankovic would be better suited to changing Christmas lyrics than school administrators.  Therefore, now in schools we are going to deliberately teach wrong lyrics to kids? 

The Christmas season and the genre of Christmas songs have existed for hundreds of years in American culture and are a part of our national heritage and identity. Any effort to overtly change Christmas lyrics is wrong. Furthermore to do so in such an utterly ludicrous way is doing our kids an injustice and it's completely contrary to the very notion of what education is all about. 

If you don't like the rich tradition of Christmas songs then go ahead and write your own. I'm sure that "Have a Holly Jolly Non-Denominational Celebration of Winter" will be a big hit and soon be included in the canon of Christmas songs.  I'm sure we are all waiting for the single to hit iTunes. 



Krell Announces Digital Vanguard Integrated Amplifier with HDMI, Bluetooth, and Streaming Services

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At the Consumer Electronics Show (CES) in Las Vegas, Krell has announced a radical move in the world of integrated amplifiers.  Until now, integrated amplifiers have typically sported analog inputs and S/PDIF or Toslink digital inputs. HDMI, streaming, and wireless connectivity have been glaringly absent.  Krell has just changed that move with an upgrade to the Vanguard Digital Integrated Amplifier.

The upgraded Vanguard bridges the worlds of high end audio and streaming and features USB, HDMI inputs and output, coax and optical digital inputs; Ethernet music streaming controlled through dedicated iOS and Android apps; and apt-X Bluetooth wireless for convenient streaming from phones, tablets and computers.  Deezer, and Vtuner streaming services are built in and  controlled by dedicated iOS, and Android apps.  In early 2015, a software update will add Pandora and Spotify apps.

The Digital Vanguard Includes:


  • Coaxial and HDMI inputs support PCM up to 24-bit/192kHz. Optical input supports up to 24-bit/96kHz.
  • USB and Network streaming support MP3, AAC, WMA, WAV (PCM), FLAC, ALAC up to 192kHz.
  • Bluetooth streaming supports A2DP, AVRCP formats
"With the digital module installed, all you need to do is add speakers and you have a complete high-end audio system," Krell President Bill McKiegan said. "If your focus is on digital music files and streaming, the Vanguard with the digital module will give you all the convenience of the mass-market streaming audio products, but with sound quality that's far beyond what those products can achieve. It's truly an audio product built for the next decade."

I've said it before and I'll say it again, Krell is to be admired with its support of existing customers by offering them a clean upgrade path to bring previous generation models up to spec with the latest features.  Existing Vanguards will be field upgradeable to the Digital Vanguard in Q1 2015 for a price $1,500.00.  Moreover, high end audio manufacturers have typically lagged behind in the technology and features departments and Krell has refreshingly been an exception to that rule incorporating the latest features in high performance products.


The Digital Vanguard Integrated Amplifier is a powerhouse featuring a Class A preamplifier and 200 watt stereo amplifier.   The Vanguard's amplifier incorporates a massive power supply with a 750 VA toroidal transformer and 80,000 microfarads of storage capacitance. The tremendous amount of energy on tap allows the Vanguard to deliver 200 watts per channel into 8 ohms, doubling to 400 watts at 4 ohms. This is far more power than most other integrated amplifiers can deliver. Two quiet, thermostatically controlled fans permit the use of a surprisingly compact chassis, especially considering how much power the Vanguard produces.


The Vanguard is also custom-installer and home automation-friendly—not a feature normally seen with integrated amplifiers.  The unit sports 3.5mm jacks for IR input and 12-volt trigger input and output, as well as optional rack-mount ears. Additionally, the unit can be controlled with home automation systems through its Ethernet connection.


Pricing and Availability
The suggested retail price of the Digital Vanguard is $6,000.00 and shipping Q1 2015. The existing Vanguard will continue with a suggested retail price of $4,500.00. Existing Vanguards will be field upgradeable to the Digital Vanguard in Q1 2015 for a price $1,500.00.
















Sony to launch new digital walkman, wireless headphones, and portable DAC/amplifier

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Sony's new high resolution NW-ZX2 Walkman digital player
Sony's original walkman revolutionized portable music more than a decade before the iPod. While Sony may forever kicking themselves for not adapting to a digital generation that isn't stopping them from launching a new, digital Walkman.

At CES in Las Vegas, Sony announced new portable audio products—some of which sport the "Walkman" name— and are designed to reproduce what Sony claims is the ultimate audio sound quality without restictions or set-up hassles.

The new products are the High Resolution NW-ZX2 Walkman® player along with the MDR-1ABT Headphones and the PHA-1A headphone DAC/amplifier. I personally wish Sony and other manufacturers would learn that consumers can't stand these silly numerical product names. Nevertheless, to complement the alphabet soup of Walkman, headphones, and headphone DAC/amp is a Hi-Res car audio head unit.

Sony says that it is making for users to enjoy music at a higher sound quality by applying unique audio technologies that bring listeners closer to the spirit and intent of the artist’s original performance. These new products, Sony claims, equip consumers with the best portable products possible to enjoy a fully immersive, Hi-Res audio experience from practically any location.

Sony’s new LDAC™ technology provides high quality wireless audio via Bluetooth®. Sony says that with 3x the data transmitted, LDAC provides an enhanced wireless listening experience for all your music.

Here are some details, direct from Sony, on the new products:

Walkman® NW-ZX2

Experience High-Resolution audio like never before with the Walkman NW-ZX2 which can reproduce master quality recordings just as the artists originally intended. The S-Master™ HX digital amplifier, uniquely developed for Hi-Res audio playback, reduces distortion and noise while reproducing wide frequency response for a clearer acoustic experience. It is also equipped with DSEE HX™ technology, allowing streaming sources which are not Hi-Res quality to be upscaled to provide higher quality sound.

The NW- ZX2 supports digital music files up to 192 kHz/24 bit and compatible file formats are MP3, WMA, AAC, FLAC, AIFF, WAV and ALAC including DSD[1]. It also comes with 128GB of built-in memory, as well as micro SD card slot, Wi-Fi and a large capacity Lithium-ion battery that provides up to 60-hours[2] of music playback per charge.

Sporting a frame with rounded sides carved out of aluminum alloy, the Walkman NW-ZX2 features a striking design and highly rigid case. Adoption of the gold-plated copperplate in the structure has resulted in an extremely stable ground due to its low electric resistivity. The powerful bass and the improved sense of stereo have been realized due to a number of audio components , such as the enhancement of power supply by using of electric double layer capacitors , OS-CON and large capacity Li-ion battery. The other refinements that also contribute to the high-quality sound are thick-film copper-layer PCBs, OFC cables and high-purity lead-free solder. These enable the NW-ZX2 to achieve a higher sound resolution by reducing the impedance.

The Walkman NW-ZX2 will be available in spring 2015.

MDR-1ABT Wireless Stereo Headset

Following on the success of the MDR-1A headphones, the new MDR-1ABT headphones are the ideal way to showcase high quality sound on-the-go with Bluetooth connectivity. In addition to delivering outstanding sound quality, they offer remarkable comfort with ergonomic ear pads and a wraparound design for improved fit that also prevents sound leakage.

The MDR-1ABT headphones feature a lightweight and responsive aluminum coated Liquid Crystal Polymer Film diaphragms to provide the rigidity necessary for balanced sound reproduction, while minimizing coloration across the audio spectrum. The headphones offer hands-free talk with echo cancellation and noise suppression that enables clear sound quality for hands-free calls on compatible smartphones. Additionally, they feature touch sensor controls with NFC to allow users to control music from the side of the headphones easily without having to connect with wires or use set-up codes.

The MDR-1ABT Bluetooth Headphones will be available in spring 2015.

PHA-1A Portable DAC/Headphone Amplifier

Enhance the quality of everything you listen to with the compact PHA-1A Portable DAC/Headphone Amp. Easily connect to your compatible digital music device, PC, or smartphones via USB input to enjoy Hi-Res audio playback on the go.

The ultimate companion for Walkman NWZ-A17, the easy to use, lightweight PHA-1A elevates the listening experience allowing you to bring the highest quality sound with you wherever you go.

The PHA-1A Portable Headphone Amp / DAC will be available in spring 2015.

Car Audio Head Unit

Also announced, the new mobile product line-up features the first car audio head unit that is compatible with high-resolution audio formats including DSD native playback. The single DIN head unit will include a DSEE HX (Digital Sound Enhancement Engine) to reproduce high-resolution audio even with traditional lower resolution sources, such as MP3’s.

The High-resolution car audio head unit will be available in summer 2015.

Record Doctor V Vacuum powered LP cleaner now $100 Off

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Audiophiles love their vinyl but in order to sound its best, LPs need to be cleaned periodically. You haven't really cleaned your LPs unless you've used a vacuum-based machine. Right now, Audio Advisor has the new Record Doctor V Vacuum-powered record cleaner for $100 off. That brings the price down from $299 to only $199.

Click here to get the deal.

Celsus Announces Companion One portable High-Res headphone amp with wired and wireless DAC and DSD support

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Celsius Sound isn't a brand that I'm immediately familiar with. However at CES in Las Vegas, they announced the Companion One, a portable high-res DAC that supports both USB cable and 24-bit/192kHz wireless audio connections to Windows, Mac, Android (*OTG) and iOS devices. The Celsus Companion One features a high-performance headphone amp that the company claims will deliver better than 115dB signal-noise ratio.

On paper, the specs of the DAC are impressive.  The USB DAC utilizes ESS’s ES9018K2M DAC and can decode up to DSD128 and 384 kHz PCM audio formats.  The detailed specs include:
  • 1 x Headphone Output with dual gain setting, 1 x Line Output and 1 x Optical Output
  • PCM audio: 16/24/32-bit audio data, 44.1 / 48 / 88.2 / 96 / 176.4 / 192 / 352.8 / 384 kHz native sample rate.
  • DSD audio: DSD64 and DSD128 native decode.
  • Wireless audio supports uPNP network media streaming and Airplay
  • Wireless audio PCM format: 16/24-bit, 44.1 / 48 / 88.2 / 96 / 176.4 / 192KHz.
  • Asynchronous USB audio clocking with two internal low-jitter clocks separately for 44.1kHz (88.2/176.4/352.8) and 48kHz (96/192/384) sampling, achieving ultra-low-jitter performance with better than 115dB signal-noise ratio.
  • Portable DAC with 6000 mAh battery
  • The Companion One is machined from a single block of aluminum with  a curved aluminum frame with gorilla glass
The Celsus Comanion One will be available worldwide in January at a retail price of $595.  It's also slated to be available on Amazon.com.


Mark Levinson Announces No. 536 Monoblock Power Amplifier

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Mark Levinson needs no introduction to audiophiles.   At CES in Las Vegas, Mark Levinson announced their newest monobolock amplifier, the № 536.  Mark Levinson is a devision of Harman International.

When released in the Fall of 2015, the № 536 is slated to deliver 400 Watts into 8 ohms and 800 Watts into 4 ohms and handle 2 ohm loads. The № 36 has class-A voltage-gain and driver stages without any integrated circuits in the circuit path.  Levinson says that the № 536 is EuP-compliant and will go into low-power standby mode when not in operation

This amplifier looks to be a perfect complement to Mark Levinson's sister speaker division, Revel, whose Ultima2 Salon and Ultima2 Studio speakers are targeted to handle amplifiers that put out 600 Watts into 6 ohm loads.

The №. 536 is evidently the successor to the Levinson № 532, which was released in 2008 and was also a dual mono design sporting 400 Watts into 4 8 ohms. The № 532 was evidently the first non-reference Mark Levinson design to be fully differential. The № 536 continues that tradition. Like many of Levinson's current amplifiers, it will sport a Class A/B topology, feature heavy-duty hurricane binding posts, XLR/balanced and unbalanced inputs, as well as IR, RS-232, and ethernet connectivity for integration with home automation systems.

Schedule for a fall 2015 release, the Mark Levison № 536 monoblock amplifier will cost $15,000 ($30,000 for a stereo pair).

The Distortion of Sound: A Call to End Compressed Digital Music

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Have you ever stopped to ponder the question, "What is music?" Audiophiles, I think, intuitively experience this question each time they sit down to listen to the attempt to reproduce music from their systems.  I think that all of us—not just audiophiles—have this same intuitive experience.

Think about it, can you tell the difference between a live performance or a recording?  Of course you can. You don't need to be an audiophile to make that distinction.  That's just an inherent part of the human experience.  

As an audio lover and an audiophile it's extremely disconcerting to me when we, the consumers, settle for and support sub-par musical recordings and audio quality.    To those of us in audiophile circles, this observation and indeed our visceral reaction against compressed audio, such as .mp3 files, is old news.  For many consumers, however we're talking about a concept that's not well understood.  In other words, "what's the big deal all about?"

I wanted to highlight this 22 minute video done by Harman International called, Distortion of Sound.  I've spoken about Harman and Harman's ground-breaking acoustic and psychoacoustic research several times on the site.  



The full video, which you can play above, is a great overview of the problem of compressed files.  It's great to see artists, researchers, and manufacturers banding together to say that we expect—no, we demand—to have great sound.  I applaud Harman for putting this short together and making it available.  

50% off Sennheiser HD-558 over the ear headphones

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Today only, you can get the Sennheiser HD558 Headphones for 50% off. The HD588s are an over the ear design.  The headphones normally retail for $179.98 and are on sale for only $89.98.



The specs for the headphones include:
  • Over-the-ear design
    For a secure fit.
  • Neodymium ferrous magnet
    For sound reinforcement. Lightweight aluminum voice coils for high efficiency and excellent dynamics.
  • Eargonomic Acoustic Refinement (E.A.R) technology
    Simulates sitting in front of a hi-fi speaker without the space constrictions.
  • Duofol diaphragm technology
    Eliminates standing waves within the capsule for quality sound.
  • Twist-n-lock, single-sided cable
    Minimizes tangles for easy operation.
  • Plush velour ear pads
    For long, comfortable listening sessions.
  • Metal mesh and high-gloss burl wood accents
    Offer durability and a sleek design.
  • 15Hz - 28kHz frequency response
    For faithful sound reproduction.
  • 112dB sensitivity
    For powerful sound.
  • 50 ohms impedance
    To efficiently conduct power.

Parasound JC1 400W Monoblock Amplifier 33% Off

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If you're in the market for one of the killer amplifiers available today, have been saving up for an amazing amp, and you don't mind a refurbished unit, then you may want to check out this super deal on the Parasound JC 1 400 Watt monoblock amplifier.  The amplifier is a beast and able to deliver 400 watts into 8 ohms, 800 watts into 4 ohms and 1,200 watts into 2 ohms.  Audio Advisor has only five available and is selling them at 33% off the retail price of $4,495 each to $2,999.99 each.

The JC 1 monoblock allows you to set the Class A power output level manually so that the amplifier can run in Class A for either the first 25 watts when set to the high position or 10 watts when set to the low position.

The Parasound JC 1 400 Watt monoblock is an amazing amplifier in a 4U configuration and has been gushed upon by the various trade magazines.



Here are some specs on the Parasound JC 1:
  • Designed by legendary John Curl and CTC Builders 
  • Ultra-high bias Class A / AB operation
  • Exclusive two position bias level adjustment 
  • Balanced input with discrete circuitry and Neutrik XLR connector
  • Continuous power output 20 Hz- 20 kHz: 400 watts RMS x 1, 8 ohms; 800 watts RMS x 1, 4 ohms; 1200 watts RMS x 1, 2 ohms 
  • Class A power output, 20Hz – 20 kHz: 25 watts, bias set to high, 8_; 10 watts, bias set to low, 8 ohms 
  • Current capacity: 135 amperes peak
  • Direct Coupled - no capacitors or inductors in signal path
  • Complementary discrete JFET input stage and MOSFET driver stage
  • 18 beta-matched 15 amp, 60 MHz bipolar output transistors
  • 1.9 kVA encapsulated toroid power transformer 
  • Independent power supplies for input, driver and output stages
  • 18,000 µF filters for driver stage
  • 132,000 µF Nichicon "Gold Tune" filters for output stage
  • REL and Nichicon "Muse" capacitors
You can click here to get the deal from Audio Advisor.

Is the Future of High End Audio in Automobiles?

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At the Consumer Electronics Show in Las Vegas, Mercedes showed off its self-driving concept car, the Mercedes-Benz F 015.  When the car is in driverless mode, you can rotate the seats to face each other as you would in a living room.

It doesn't take a futurist to see that the self-driving automobile will ultimately serve as a mobile living space, where occupants can socialize, relax, create or do just about anything that they already do in the comfort of their home.  Well, what does that mean for audio?

For years, car enthusiasts have souped-up their audio systems—and not necessarily with audiophile results. We've previously seen small spurts of recognizable names such as McIntosh, Infinity, JBL, and Bose be part of branded car systems. These haven't been significant forays into the market. And high-end audio manufacturers haven't seriously ventured into automotive audio--until now.

Two of the world's best-known high end audio brands, Krell and Revel have recently forged partnerships with auto makers.   Krell made their debut with the 2014 Acura RLX and this year, Revel began the first year of a 10-year partnership to provide the audio systems for Lincoln cars and trucks.

Krell made their debut with the 2014 Acura RLX
What's interesting about these announcement is that they seem destined for the long-term and aren't just a passing fad.  And this makes sense, doesn't it?  

With more and more individuals around the world spending time in their cars, it's an opportunity for premium audio brands to get exposure as never before.  They can bring exceptional audio to the masses who have become conditioned and even zombified into consuming terrible audio reproduction.  Moreover, with the dearth of high end audio stores and with more shuddering their doors each year, car audio is going to be an area where manufacturers will be able to have a daily, immersive showroom.  

Revel and Lincoln announced a 10-year partnership beginning in 2015
Brent Butterworth's review of the Revel-Lincoln audio system is a great read and what becomes readily apparent between both the Krell and Revel deals is that these audio companies are taking meticulous control of the audio experience. In his review Brent spoke with Alan Norton, Manager of Global Entertainment for Lincoln's parent company, Ford, who said, "Typically, the audio people get about a week to tune a car. With this one, Harman [Revel's parent company] had the car for several months."

Clearly, Revel and Krell aren't just sub-licensing their premium brand names. They are getting the brand's audio experience into the car.  During the tuning process, Revel engineers setup Revel speakers in an adjacent room during the tuning process so that both engineers and trained listeners could have the traditional Revel speaker system and the Revel car audio system right next to each other. 

How effective was that process? Well Brent (who is also a Revel speaker owner) remarked, 
The first thing I noticed was that as in my home speakers, I couldn't hear the transitions between the drivers....Just as important, though, was the system's soundstaging, which to me didn't sound at all like what I've previously heard in car systems. I got a broad expanse of sound stretching across the dashboard; to me, it actually sounded almost as if there were virtual speakers atop the dashboard, placed about 1 foot in from either side, kind of like an actual home system.
With self-driving cars representing yet another shift in our mobile lifestyles it makes all the sense in the world for high end brands to pursue strategic partnerships with auto manufacturers aggressively.  In fact, in the long-term, we may actually have many an audiophile relaxing and enjoying their high end audio system... in their car.


Revel Announces Concerta2 Speaker line — high end sound for budget-mineded audiophiles

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Since it's inception, Revel has garnered countless industry awards for their high end speaker lines, the Ultima and Performa series. Even though Revel is part of Harman's luxury group, which includes the likes of Mark Levinson and JBL Synthesis, the company launched a more budget-conscious line with the Revel Concerta lineup, which catered to audiophile sound for those on a budget. The Concerta line was purported to have some of the technology from the Performa line trickle down and didn't feature the premium veneer finishing of the more expensive cousins.


Revel Concerta2 F36
At CES, Revel announced and gave a preview of the all-new Concerta2 line-up which looks like a complete departure from the more pedestrian looks of the original line. Revel says that the new Concerta2 line incorporates numerous design and engineering upgrades over the original. Unlike the boxy look of the originals, the new line has a gorgeous, refined appearance with new contoured enclosures, high-gloss finishes and elegant design accents.

The Revel Concerta2 line is slated to be launched in the Fall of 2015 and is slated to include:
  • F36 2.5-way floorstanding tower (1-inch tweeter, three 6.5-inch woofers; SRP: $2,000/pr)
  • F35 2.5-way floorstanding tower (1-inch tweeter, three 5.25-inch woofers; SRP: $1,500/pr)
  • M16 2-way bookshelf monitor (1-inch tweeter, 6.5-inch woofer; SRP: $850/pr)
  • C25 2.5-way center channel (1-inch tweeter, dual 5.25-inch woofers; SRP: $750/ea)
  • S16 2-way surround speaker (1-inch tweeter, 6.5-inch woofer; SRP: $1,000/pr)
  • B10 powered subwoofer (10-inch woofer, built-in 800-watt amplifier; SRP: $1,500/ea)
The Revel B10 subwoofer monicker is a bit confusing since it was the same designation given to the older, wireless Concerta1 subwoofer.

The Concerta2 Series loudspeakers use a 1-inch aluminum tweeter with an integral phase ring, that Revel says is derived from their Performa3 Series. The tweeters are mated to Revel's fourth-generation Acoustic Lens Waveguide that Revel aficionados will easily notice. Revel says that their waveguide optimizes the blend between the tweeter and woofers and improves off-axis performance for smoother, more consistent performance over a wide listening area.

The new woofers are ribbed aluminum cones and the enclosure is made from 3/4 MDF with non-parallel sidewalls to attenuate internal standing waves. Unlike the previous generation, the new models feature magnetic grilles, which now makes every speaker in the Revel lineup convert to the magnetic grille feature. The Concertas feature high-quality, gold-plated five-way binding posts. The Concerta2 lineup will be available in high-gloss black and high-gloss white finishes. Wood veneers do not appear to be options for the new lineup. Further specifications on each speaker in the lineup will be forthcoming.


The Revel Concerta2 B10 Powered Subwoofer




Emotiva XPA-1L Class A/Class AB Monoblock Amplifier Review

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Introduction

Amplification can make or break your speaker’s potential performance.  Getting good, clean Class A amplification is an audiophile's dream.  Class A amplification with lots of headroom has always commanded a premium in audiophile circles.  Audiophile-grade amplifiers pumping out 200 or more watts/channel have typically cost thousands of dollars or even tens of thousands of dollars.  Although good audiophile amps are already biased to run the first 5-10 watts or so in Class A, to get real Class A performance beyond those first few watts, you’ve typically had to to spend thousands more and deal with the significant heat that pure Class A amplifiers give off.  

For the past several years, upstart amplifier maker Emotiva has gained some momentum by manufacturing amplifiers in China and then selling direct to consumer.  Emotiva’s reputation has revolved around low-cost amplifiers that promise to deliver high wattage and high performance. This manufacturing and selling model has allowed Emotiva to hit a price/performance ratio that hasn’t typically been seen before in audiophile circles.   

Until recently, Emotiva’s amplifiers were confined to the realm of Class AB.  Class AB amplifiers attempt to give you the benefits of Class A and Class B performance without all the negatives.  [Click here for a primer on some of the different amplifier topologies].  However, even though most solid state amplifiers tend to be Class AB, Class A amplifiers are still the sought-after standard for audiophiles.  Thus, when Emotiva, announced a Class A amplifier, the XPA-1L, that would cost well under $1,000 each, home theater and audiophile sites and Internet forums lit up with activity.  

The XPA-1L was announced as a 250 watt Class AB monoblock amp with an optional Class A mode.  With the flick of a front-panel switch, you could run the first 35 watts in Class A and then the XPA-1L would instantly transition to Class AB beyond that.  When first introduced, the XPA-1L’s were $799 each or $1,498 for a stereo pair.  With the release of Emotica’s XPA-1L Gen 2 models, that price has now dropped to $599 each or $1,198 for a stereo pair.   As far as I can tell, there have been no significant design updates between the Gen1 and Gen2 models.  The differences seem to be primarily cosmetic between the Gen1 and Gen2 editions.

With Emotiva transitioning all their amplifiers to “Generation 2” designs and with an Emotiva E-Club discount, I picked up the Generation 1 XPA-1L monoblock amplifiers for $440 each or $880 for the pair.  I have had several amplifiers in my system including the likes of Ayre and Lexicon, but I’ve never had extensive experience with Emotiva amps.  I was curious to see if the Emotiva monoblocks would end up being a ridiculous value or a huge bust.

Arrival and First Impressions on Build Quality

I documented the arrival and my initial impressions of the XPA-1L s which you can read here.  Needless to say, as you can read for yourself in detail, I was disappointed and underwhelmed.  I had significant misgivings about Emotiva’s manufacturing and quality control. To compound my bad experience, I also ordered an Emotiva CM-X6 power strip, a CM-X2 power strip (review forthcoming), and an A-100x amplifier.  Both units power strips manufacturing-related issues within a few months of use.  The CM-X6 was replaced and the CM-X2 needed to be repaired.  I don’t expect the repaired CM-X2 unit to arrive for almost eight weeks.  The Emotiva A-100x mini amplifier and had problems with certain banana connections in the binding posts.  Some of the binding posts were tighter fitting than others and prevented me from using certain banana connections in certain posts.  Therefore with five products ordered from Emotiva, I had issues with each item.  Not a good start.

Setup

Because Emotiva is targeting these amps to audiophiles, I figured I’d throw an ultra high-end two-channel audio and multichannel home theater setup at them.  I complemented the pair of Emotiva XPA-1Ls with an Anthem AVM50v preamp and a pair of Revel Ultima2 Salons.  I also played the XPA-1Ls with the SVS Prime Bookshelf speakers ($599/pair, review forthcoming) for a more limited time period.  For music listening, I ran the Ultima2 Salons full-range without any subwoofers engaged.  I did listening over several months with Anthem’s ARC both engaged and disengaged.  The listening space that the Emotiva XPA-1Ls needed to fill was approximately 24’ x 30’ with a 9’ ceiling.  

Class A Purity or Class AB Efficiency?  Take your Pick.

Aside from the claimed 250W into 8 ohms and 500W into 4 Ohms, Class A mode is a clear selling point for the XPA-1L.  The XPA-1L is designed to optionally run the first 35W in Class A. If you go past 35W then the remaining power from the amplifier is output in Class AB.  It’s important to note that it’s 35W of Class A into 8 Ohms, 4 Ohms, or 2 Ohms.  In other words, there’s no doubling of the Class A power.  Class A is the first 35W — regardless of impedance.

I should also note that the XPA-1L isn’t the only amplifier to offer a bias switch to tune the amplifier’s Class A operation.  Among many others, the highly-regarded Pass Labs amps, such as the X350.5 (350W into 8 ohms and 700W into 4 ohms) and the Parasound Halo JC 1 monoblock amplifier (400W into 8 ohms and 800W into 4 ohms) feature higher Class A biasing.  The Parasound JC 1, for example, even has switch on the rear of the amplifier.  Setting the amp to low bias, runs the JC 1's first 10 Watts in Class A and a high bias setting runs the first 25 Watts in Class A.  I’m not implying that the XPA-1L is the equal of the Parasound.  I’m simply pointing out that Emotiva isn’t unique with this approach.

You select Class A or Class AB mode on the front of the Emotiva XPA-1L amplifier.  As I did so to test out the different modes, I noticed yet another manufacturing annoyance.  The Class A - Class AB switch was aligned slightly differently on each amplifier.  On one, the switch went all the way to the left and on the other amp, the switch only went 3/4 of the way to the left.  I then noticed that the faceplate on one was ever-so-slightly shifted off so that the top of the chassis was offset on the left side and flush on the right side.

The Class A - Class AB switch wasn't installed the same on the two amplifiers as you can see in the pictures, one was properly centered (left photo) and the other was offset to the left (right photo).  This was just one more in a series of items that showed inconsistency in attention to build detail.

At this point, I started to feel as though if I looked at the XPA-1Ls casually or in detail, I’d find more and more indications of inattention to detail.  I don’t care if this type of build is defined as being within tolerances.  If an audiophile enthusiast is paying $1,000 for this pair of monoblocks, then they deserve to have build quality that exhibits attention to detail.  Instead, the current state of the XPA-1Ls simply conveys a “that’s good enough” approach to amplifier construction.  OK, I’m off my soapbox.

As you would expect, switching to Class A mode did produce an increase in waste heat generated from each monoblock.  During one modest listening session in Class AB, I noted that the external temperature of the XPA-1Ls top chassis registered at 95 F (35 C).

Playing the Emotiva XPA-1Ls in Class AB mode would register in the mid to high 90's and peak in the low 100 degrees fahrenheit 

Switching to Class A mode, the XPA-1L’s external temperature jumped to 131 F (55 C).

I measured temperatures well into the 120s and as high as 131 degrees fahrenheit in Class A mode. 
If you think that switching the amplifiers from Class AB operation to pure Class A yielded some sort of “aha!” moment where you could instantaneously hear a difference between the two modes, then you’d be sorely mistaken.  Even with this very expensive and some would say very revealing setup, I was unable to notice any radical difference between the XPA-1Ls running between their Class A and Class AB modes.

If someone were to really press me, I would have to say that after extended listening sessions, I felt as though the Class A mode somehow left me feeling as though the amps sounded smoother vs. Class AB operation.  I doubt I could tell a difference between the two modes in a blind listening test and any such feeling may be purely psychological.  Even when they are in Class AB mode, the first several watts of power are in Class A operation anyway. Therefore, if you’re looking at these amplifiers thinking that you’re going to have a musical epiphany running them in Class A then I’m sorry to disappoint you.  

Conversely, there were no acoustic anomalies when the amps were driven so hard that they would transition from Class A to Class AB during insane sessions with earsplitting SPL levels going into the mid 90 dbs or low 100 dbs.  There was nothing audible to indicate that the amp was transitioning from Class A to Class AB.  In case you are wondering, I drove the amps so hard at one point with the Revel Ultima2 Salons that I tripped one of the XPA-1L amplifiers into thermal overload protection mode.


Listening Tests

Music:


I was so put off by the initial manufacturing quality of these amps that I refrained from writing this final review on them for several months to see if any further issues would arise. I therefore think it’s very fair to say that I got a solid feel for these amplifiers. I played them almost every single day with every genre of music imaginable: rock, jazz, pop, classical, theatrical scores, holiday music, acoustic, etc. I’ll highlight some specific tracks from my months of listening:

The Indigo Girls have an expansive musical anthology. While their third album, Nomads Indians Saints (1990), was not as popular as their self-titled sophomore album, it contains a number of tracks that I frequently use to test out new equipment. The second track, “Welcome Me” is among my favorites to use.

It’s a beautifully haunting track that gives you a good sense of a system’s timbre, soundstage, and ability to handle nuances. Playing this track with the Emotiva and Revel combination was thoroughly enjoyable. The opening to the song features a single guitar strum that resonated perfectly in space. Amy Ray’s distinctively raspy vocals were reproduced with life-like presence. I felt as though the Emotiva’s provided the Revels with all the juice they needed to handle the song effortlessly.

British soloist Dido is another artist that I frequently listen to when testing out systems. Her live performance from Brixton Academy in London features many of her well-known songs on a DVD/CD set.


On the track “Life for Rent” Dido’s vocals were smooth and seductive. The track’s synthesizer and bass notes were cleanly reproduced and had solid weight behind them. The same was true of the track, “Here with Me.” The Emotiva’s had good control of the low end but lacked what I felt was the exceptional dynamics I’ve heard with beefier amplifiers driving the Revels. The final roar of the crowd on both tracks maintained a sense of space and instead of a mush of sound, you could simultaneously hear the entire crowd roar while also distinctly placing in space individual sounds and expressions. I played the track at just a few dB below reference with peaks in the mid 90 dBs and there wasn’t a hint of strain. The Salon2s can be absolutely cruel to amplifiers; but the XPA-1Ls held their own.

Lorde’s Pure Heroine album is a bass-lover’s dream. Her hit “Royals” thundered in my room. Bass notes pulsed like subsonic explosions in my room.
There was great control and definition in the bass. I confess, it was pretty awesome. Not once did I sense that the XPA-1Ls were having a hard time keeping up with either the music or the impedance load that the Revels were delivering.

Imagine Dragons “Radioactive” is another energizing song. Drum and bass notes had good weight, control and impact. Even with a potential dueling cacophony between vocals and instruments on that track, the Revel/XPA-1L combo did a really good job of presenting the song’s energy while keeping superb separation between the vocals and instruments. Once again, as I noted earlier, I wished I had a bit more dynamics and bit more juice here.  Somehow the drums felt a bit understated—although to be fair, much of the mixing done in modern music has sucked the life out of songs by taking away much of the dynamic range that is part of live performances.

I played U2 and REM extensively. From U2s “Mysterious Ways” to R.E.M.’s “Finest Work Song” the Emotiva XPA-1L gave the Revels all the juice they needed to handle the finest instrument nuance to big, bold, clean dynamics.

The XPA-1L fared equally well on orchestral pieces. The track, “Might of Rome” from the Gladiator soundtrack is a beautifully layered track. With deep synthesizers, drums, trumpets, violins, vocals, and other instruments weaved into the movements, it’s a superb track to sit back, relax, and let a sound system flex its brute muscles and simultaneously showcase how it can convey a sense of delicate majesty. The XPA-1Ls did a great overall job of handling this track. Turning the volume up didn’t uncover any harshness to the sound.  Rather, instruments remained clean and maintained a sense of their tonal quality and weight no matter how loud I turned up the volume.

Perhaps my favorite sessions were listening to the XPA-1Ls with more intimate musical tracks. Ennio Morricone has composed some of the most memorable film scores and Yo-Yo Ma’s rendition of these songs on the album, Yo-Yo Ma Plays Ennio Morricono is breath-taking. 

The opening track, “Gabriel’s Oboe” was so beautifully and delicately rendered it was enough to send chills down my spine. The emotive (no pun intended) quality presented by the Revel/Emotiva XPA-1L combo was beautiful. The Timbre of Yo-Yo Ma’s cello was spot-on and deeply engaging without being overly warm and too laid back. Playing this album showed how the XPA-1Ls could mellow down and present the delicate aspects of an intimate performance. The track “Dinner” was especially delectable, with silky smooth musical textures. It was just beautiful.

Overall, I will say that I felt as though the Emotiva XPA-1Ls did an excellent job of presenting any musical genre I threw at them.

Movies

If an amplifier can handle music well then it’s generally a no-brainer that the amplifier will perform equally well in a home theater environment. That proved to be the case with the XPA-1Ls I was able to play the amps as part of a 7.2 environment. They continued to drive the Revels, but were crossed at 60Hz to the dual subs.

Not once did I sense the XPA-1Ls running out of steam in any listening session. Action sequences from Man of Steel on Blu-ray had superb dynamics. From Superman’s heels digging into the pavement and hearing the crackle of stones to thunderous clashes to the hushed tension and musical score accompanying the final scene in Grand Central between General Zod and Superman—all of these were presented with great dynamics and refinement. The sound was bold, open, yet always under control.

Guardians of the Galaxy was presented in an incredibly spacious soundstage that was deep, stable and always filled with exceptional detail.  Scenes from Captain America: Winter Soldier were enthralling.  The opening scene on the cargo ship is filled with pinpoint, detailed audio and not once did I feel that the Emotivas failed to feed the Revels.

Lord of the Rings: Two Towers was perhaps the example where the Emotivas shined most. Howard Shore’s orchestral score in lossless audio was just awesome. The climactic battle at Helms Deep never came up short with the XPA-1Ls. The cinematic energy and clarity of the entire soundstage was reference-level. When it comes to describing any of these movies, it’s obvious that the speakers were overwhelmingly the cause. However, it’s the amplifier that makes or breaks a speakers potential. The XPA-1Ls were able to give the Revels the power and control they needed to sound like the reference speakers they are.

Whether it was recreating a musical experience or taming the demands of lossless movie tracks, the Emotiva XPA-1Ls did an admirable job no matter what source material was thrown their way.

Comparison to other amplifiers:

Budget-minded audiophiles will want to know how the XPA-1L stacks up to other brands.  Well, I'm sorry to disappoint, but the Emotiva is no giant-killer.  I’ll reiterate emphatically that build quality between amps from high-end brands and the Emotiva is night and day. It’s silly to even engage in that conversation, so I won’t any further.

Sonically speaking, however, the Emotivas did a pretty good job.  Before the Emotivas came in, I had an Ayre VX-5 (MSRP $7,950) stereo amplifier come through my hands. While aural memory is a dangerous thing, my impression when comparing the two is the Ayre VX-5 sounded better but lacked the low-end dynamics of the Emotiva. The Ayre is more only a 175wpc amp vs. the 250 of the Emotiva. If I had to choose between the two, I would still choose the more expensive Ayre. I felt that it simply had a sweeter overall sound that came from a blacker background. The Ayre was extremely addicting to listen to but due to it's greater power output I felt that the Emotiva was able to exert a bit more dynamics at the low end.

Conclusion:



Amplification is the life-blood of an audiophile’s system.  Having good, clean, and adequate amplification can bring your loudspeakers to life, recreating the sensation of a real performance.    For more expensive or difficult to drive loudspeakers, amplifier performance is even more critical.  On the surface, Emotiva’s XPA-1L promises to deliver thundering 250W performance in a relatively inexpensive Class A/Class AB amplifier.  Overall, the performance of the Emotiva’s XPA-1L was excellent and pair of amps performed equally well with both music and movies.  

To a degree, I do have to admire what Emotiva is trying to do: make audiophile gear at affordable prices.  I do tip my hat to them.  It’s frustrating for great-sounding gear to lie beyond the affordable reach of a die-hard audiophile.  However, here's the irony, while outsourcing manufacturing to China lowers build costs, I think it's also the product's achilles heel.  

The adage “you get get what you pay for” is unfortunately applicable to the XPA-1L.  Indeed, my major beef and reservation about the XPA-1L surrounds its materials and build quality—not in its sonics.  There's just no comparison whatsoever with the Emotiva's materials and build quality to amplifiers from audiophile names such as McIntosh, Krell, Bryston, Theta Digital, Ayre, Lexicon, or Mark Levinson.  Those high end brands are built like the pyramids with top notch materials, and intended to last for Millenia.   30 years later you’ll still see amps from those manufacturers proudly chugging along.   I can’t say that I have the same confidence that I’ll still see these Emotiva amps performing the in the same way 30 years down the road.

I've admittedly been a bit harsh on the XPA-1L.  To hit the price point that this unit sells for, Emotiva obviously needed to make compromises in materials and manufacturing.  Otherwise, this amp would cost just like all the others.

So, here are my final thoughts:  There are many out there who salivate and save for the speakers of their dreams but can't yet afford a comparable amplifier.  If you are on a budget and want a very good sounding amplifier with really good performance that can drive your speakers near their potential and you also don’t care much about an amplifier’s build quality and attention to details and you are open to the idea of possibly having to wrangle with Emotiva support down the road then the Emotiva XPA-1Ls do deserve your serious consideration.  You may find them to be very satisfying.  I did.

With their specs at this price-point, they are incredibly inexpensive, but I balk at calling them a great value.  If you're interested, I strongly suggest you take Emotiva up on their in-home, 30 day trial and try the amps for yourself first.  Personally speaking, I'll be keeping the Emotivas in my setup.

However, if you’re a discerning audiophile and you just can’t compromise with anything short of the best, then the Emotiva XPA-1Ls will leave you disappointed.  At that point, I’d look elsewhere for the long-term and view the XPA-1Ls as more of a stepping stone up the sonic ladder as opposed to being the final rung at your destination.

SVS Prime Bookshelf Loudspeaker Review: Do These Budget Speakers Deliver Real Audiophile Sound?

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SVS Prime Bookshelf Loudspeaker Review

Being an audiophile isn’t easy.  Once you’ve experienced great sound, it’s virtually impossible to go back to pedestrian-sounding speakers.  In many ways, that beautiful moment of an audiophile’s epiphany becomes a terrible, life-long curse.  Such is the paradox.

Achieving audiophile-grade sound remains an excruciating challenge for most.  Truly superb-sounding speakers and components cost thousands if not tens of thousands of dollars.  That simple economic reality disheartens many an audiophile.  However, some companies, like SVS, were founded on the premise that great-quality, audiophile gear should be within budgetary reach of everyone.  

Since the company’s inception in 1998, SVS has focused their energies on this mission.  Part of the company’s secret of keeping costs low was cutting out the middleman and selling direct-to-consumer.  In more recent times, SVS has also outsourced core manufacturing to China, which has further helped them maintain an even more-competitive cost structure. 

For much of the company’s history, SVS has achieved a stellar reputation with their high-performance, high-value subwoofers (see our review of SVS’ SB13-Ultra subwoofer here).  In 2012, however, SVS has expanded its attention to a comprehensive lineup of speakers.  The company’s Ultra Loudspeaker series continued the company’s tradition of high-performance, high value products.  Indeed, the Ultra series received rave reviews by critics and users alike.  By audiophile standards, the Ultra series loudspeakers were incredibly inexpensive with superb build-quality, excellent sound, and performance.  However, even though they were a great value, building an entire system made up of the Ultra Series was still out of reach for many audiophiles.

Enter the Prime Series Loudspeakers.  

At this past October’s Rocky Mountain Audio Fest, SVS announced the Prime Series, a new, entry-level loudspeaker series consisting of tower, bookshelf, center, and satellite speakers.  I reached out to the folks at SVS to see if we could get our hands on a set from the new line and SVS graciously obliged.

The review samples consisted of a pair of Prime Bookshelf speakers in the spectacular high-gloss piano gloss finish ($599/pair) and an SB-2000 subwoofer (12" woofer, 500W RMS, 19-220Hz ± 3 dB) to comprise a complete 2.1 setup.  The high gloss black finish on the Pime Bookshelves adds an extra $100 to the base price of the speakers.  If you want to save $100 on the price of the pair, you can opt for the traditional black wood veneer finish, which SVS calls black ash.

SVS Prime Bookshelf Loudspeaker in High Gloss Black
The High Gloss Finish is a $100 Premium but it's Beautiful and Mirror-Like 
The Prime Bookshelf speakers are rated at 8 ohms and will play down to 48 Hz (+/- 3 dB).   The speakers are a two-way, ported design featuring a 1” aluminum dome tweeter and a 6.5” polypropylene cone and 1.7” wide-flared rear-firing port.  The tweeter and woofer are crossed at 2.3 kHz.  Each speaker feels solid at 15.5 lbs.  You can read more details here.

SVS Prime Bookshelf Loudspeaker woofer detail
SVS Prime Bookshelf 6.5" Woofer Detail View
I documented the arrival, unboxing, build quality, and aesthetics in our live unboxing article here.

I wanted to know a bit more about the impetus for the line and a few things about the Prime Bookshelf speakers.  After my listening sessions and base text of the review were finished, I reached out to SVS’ President, Gary Yacoubian for some additional info on the speakers.  I did so after the review period so that any conversations wouldn’t bias my listening.

The first thing I wanted to know was what tradeoffs they needed to consider to hit such a price-point.  Gary said:
Typically in this price point manufacturers sacrifice internal cabinet bracing, driver quality and crossover design and componentry.  We really wanted a near world-class experience at a price point where that was previously not possible and we are quite proud of the result!
Based on my initial unboxing and review of the physical build of the Prime Bookshelves, I had to agree with his assessment.

I also wanted to know what tradeoffs they deliberately avoided making so that they could maintain a quality standard.  Gary emphatically said:
This is absolutely the speaker we wanted to make.  That said, many folks would prefer a bookshelf speaker of a more diminutive form factor.  We made the judgment that we wanted uncompromised dynamics and low frequency extension, in addition to the refinement and accuracy one would hope for from a bookshelf speaker.  The speaker may be a bit large for some who are in the market for a bookshelf speaker, but we felt it was worth it for a complete experience, with no absolute need for a subwoofer.

SVS Prime Bookshelf Speakers in High Gloss Finish With and Without Grille
Finally, I asked Gary the tough question: What differences did he feel that a user would notice if they had to make a decision between the Prime and Ultra series bookshelf speakers.  I appreciated his candor when he said:
They are closer than we typically want to admit!  That said, the Ultra Bookshelf offers fairly significant improvements in the areas of low frequency extension and dynamic range.  The mid-bass driver material is superior on the Ultra as well and allows for improved lightness and stiffness, so imaging is tighter and soundstage a bit more authoritative.  
I want to thank Gary for his time and as you’ll read on below, I found his remarks to be a fairly honest and accurate description.

Arrival, Unboxing, and First Impressions

I documented the arrival, unboxing, and initial impressions of the Prime Bookshelf speakers during my setup, which you can read in more detail here.  Needless to say, my initial impression on the Prime Bookshelf speakers was consistent with my past experiences with SVS—impeccable attention to detail and great build quality.  

SVS Prime Bookshelf with 1.7" Ported Rear
After documenting the arrival of the Prime Bookshelf speakers, what really surprised me was the amount of private emails and comments from readers eagerly anticipating the review and my thoughts on the speakers.  It’s no surprise to me that there’s a large population of audiophiles on a budget who eagerly wanted to know if these speakers could be just the solution they were looking for.  I continually had to push everyone off because I didn’t want this to be a simple, cursory review.  As you’ll see below, I had some very specific goals in mind for this review because I saw the potential for these speakers to target both audiophiles and home theater enthusiasts.  I hope readers will appreciate these efforts. 

Setup and Associated Equipment.

I set up the SVS Prime Bookshelf speakers in my main listening room about 14’ from my primary listening position with a slight toe-in. The speakers were set approximately 3’ from the rear wall, and at least 6’ of distance from the side walls.  

I set up the SB-2000 subwoofer slightly behind the Prime Bookshelf speakers and connected it with one of SVS’ own high quality, SoundPath RCA audio cables.

The Binding Posts are High-Quality but Shorter than What You'll Find on More Expensive Speakers
At the $500 price-point, prospective customers aren’t likely to pair the Prime Bookshelves with expensive receivers.  In fact, I’d venture to guess that most two-channel enthusiasts are probably going to pair the Primes with budget-oriented receivers or integrated amplifiers somewhere in the $150-$350 range.  If the Primes will be part of a home theater setup, then you may see them paired with receivers getting into the $350 up to the $700 or so range. 

I therefore decided to do two extended round of tests with the Prime Bookshelves: one with a budget-conscious setup and a second with a high end setup to see how the Prime Bookshelves would fare with each.  Why did I do this? The answer was pretty simple: I wanted to see if the Prime Bookshelves could be driven easily to satisfying levels in a budget system and if they could have good transparency in a high end one.

For about the first month, I listened to the Prime Bookshelf speakers with an Emotiva Mini-X 100a stereo flex amplifier (50wpc, $219).  I used the Emotiva as an Integrated amplifier in this setup.  When connected to the Emotiva Mini-X, I played the Prime Bookshelves in a pure 2-channel configuration without the SB-2000 subwoofer.

Emotiva mini-X a-100 Stereo Flex Amplifier
The following month, I then connected the Prime Bookshelf speakers in a 2.1 configuration with the SB-2000 sub as part of setup composed of high-end separates: an Anthem AVM50v preamp and a pair of Emotiva XPA-1L monoblock amplifiers (250W, $1,198 stereo pair). You can read our Emotiva XPA-1L amplifier review here.

Let’s see how the SVS Prime Bookshelf speakers fared.

Listening:

Music

After the Primes first arrived and I connected them to the Emotiva Mini-X, I had every intention of setting them up for some casual listening.  I had intended to do some work around the house and let the speakers play in the background.  In that way, I could start to get a feel for the speakers.  Needless to say, those plans were soon thwarted.  

As soon as they kicked on, I did a double-take.  I wasn’t expecting the sound that came out of these monitors.  I stopped what I was doing, sat down and just listened.  No way—I mean no way—was I in the least bit prepared for the great sound that came out of these entry-level monitor speakers.  The sound was wonderfully detailed and exhibited an overall solid tonal character.  Dynamics were good.  In fact, it struck me how easily the 50wpc Emotiva Mini-X drove the Prime Bookshelves.  You won’t have any problem using the Prime Bookshelves with modest receivers.

I then started flipping through random song selections from my music library.

I came upon the cover of “Baby it’s cold outside” from the Glee soundtrack.  Imaging of the duet was well-placed. Voices were natural and the mid-bass was really addicting.   What was intended to be background enjoyment all of a sudden turned into an impromptu listening session.

Billy Joel's The Stranger
Flipping through more songs, I landed on some classic Billy Joel from the album, The Stranger. I thought that the presentation of the track, “Vienna” was a bit reserved. Drums didn’t have the impact I was used to on this track but it was by no means a deal-breaker.  Imaging, detail, and soundstage were all surprisingly good.  These elements were all fairly consistent characteristics across all the songs I listened to.

Forty-five minutes later, I closed out a thoroughly enjoyable session with Sara Barielles “Gonna Get Over You” from Kaleidoscope Heart.  The snapping fingers in the refrain had good tonal quality and definition.  It was all very natural-sounding.  Drums and cymbals were good but didn’t have the crisp, you-are-there snap to them.  If I wanted to be hyper critical, there was a hint of boxiness in the sound and Sara’s vocals didn’t have the ultimate purity I’ve heard with far more expensive speaker. Imaging, however, was consistently excellent.  Precise images stabilized on a soundstage recessed just behind the speakers.   Audiophiles who swear by a monitor speaker’s ability to image, will love the way the Prime Bookshelves upheld this hallowed tradition.  For that first month, I had a very easy time driving the Prime Bookshelf speakers with the Emotiva Mini-X without a single problem to really loud levels.  

Sara Barielles Kaleidoscope Heart
Some friends came over during this part of my review period.   Friends always want to know what new gear I have coming through for review.   I thought they would be good candidates for the Primes so decided to give them a demo.  They were very impressed with the performance.  Their remarks included the likes of, “It sounds like she’s right here in the room” and “Wow, that’s really life-like.”  They just sat there, listened, smiled.  Need I say more?

No matter the musical genre played, in a two-channel setup the Primes delivered consistently excellent performance within their frequency range.  Imaging, timbre, and off-axis performance were just a sampling of the speakers’ strong suites—especially at this price point.  The three areas where I found the Prime Bookshelves to be a bit reserved were:

  1. In the dynamics and sensory impact of drums
  2. The top end detail and extension of cymbals
  3. In the lower bass, where the frequency response of the speakers drops off below 48 Hz.
Therefore, as this first month’s testing showed, even if you paired the Prime Bookshelves with a modes system, you could be confident that speakers would perform admirably.
Anthem AVM50v Preamp-Processor
For the next month, I really ratcheted up the stakes a bit and dialed in the Primes with an Anthem AVM50v preamp, calibrated the Prime Bookshelves and SB-2000 subwoofer with Anthem’s room correction, ARC, and connected them to the Emotiva XPA-1L amplifiers I had for review.  Thus, I was looking at a 2.1 speaker system that was, at least on paper, capable of playing from about 20Hz to 20kHz for about $1,200.  If the Prime Bookshelves and SB-2000 combo lived up to their potential, they would comprise a totally ridiculous value.

Now I’m going to take a moment to speak directly to you hard-core audiophiles.  Packed with some good electronics behind them the Prime Bookshelves did something we audiophile crave: they disappeared.  Let me say it another way: I’ve never heard speakers at this price point completely disappear; and this is exactly what the Prime Bookshelf speakers did in my room. Wow.  

Budget-speakers have typically disappointed me with their extreme coloration and an inability to resolve fine musical details—especially in complex musical tracks.  I’ve also had very mixed results when budget speakers have been paired with budget subs.  Whether it’s been crossover or a bloat on the bottom end, I just haven’t had lots of positive experiences.  I was therefore very curious to see how the Prime-Bookshelf and SB-2000 combo would fare.

As I embarked on the next month’s worth of listening, I want to note some specific tracks that highlighted my experiences.

British singer’s Dido’s live EP features many of her most well-known tracks.  Her performance of “See the Sun” was superb through the Prime Bookshelf speakers.  There was a tactile quality to the opening guitar strings. As the song progresses, there’s a layering of a tambourine, drums, synthesizers, and guitar. Each of the instruments had really great texture and detail.  Placement along the soundstage was solid and stable with my only complaint being a smaller soundstage that is characteristic of most speakers this size.  

Imagine Dragons Night Visions
Imagine Dragons'Night Visions
I turned to another complex track, Imagine Dragons “Radioactive.”  Again and again, I recorded in my notes how exceptionally detailed the song was and how the Primes were able to unpackage it layer by later.  “Radioactive” is a song that can devolve quickly into a muddy mess.  Not so with the SVS Primes.  Vocals and instruments were clearly distinct and contained in a solid soundstage. The foundational bass support of the SB-2000 was just great.

To slow things down a bit, I put on Sarah McLaughlan’s piano-rendition of the solemn, Christmas song, “River” from the album, Rarities, B-Sides and Other Stuff.  Sarah’s vocals were well-presented. The unique tonal character of her voice was rendered naturally and well.  Equally important was the representation of the piano notes.  Overall, the breadth and depth of the piano was well done.  It wasn’t tinny and small the way lesser-quality speakers have a tendency to recreate the sound of the piano.   Perhaps best of all, I found myself just getting lost in the song and the music.  

Dark Knight Rises Soundtrack
To really ramp up the intensity during one session, I turned to The Dark Knight Rises soundtrack.  The track “Imagine the Fire,” is bombastic and raw.  The SVS Primes did an exceptional job of resolving all the fine detail while never surrendering the song’s weight and impact.  In fact, the punch of the SB-2000 was really awesome and sent some serious air pressure through your chest.  In fact, the more I listened, the more I found the pairing of the SB-2000 sub and the Prime Bookshelves to be a great match. The deep, impactful bass on this and other tracks was rendered cleanly and authoritatively—bested only by the SVS SB-2000’s big brother, the Ultra 13.   

Whether it was with the Emotiva Mini or the more expensive Anthem-Emotiva combo, I found that the SVS Prime Bookshelf speakers had a consistent, uncanny ability to deliver a detailed musical presentation while simultaneously exhibiting good dynamics.   No matter what music you threw at them, the Primes had excellent off-axis performance.  Adding the SB-2000 sub to the mix really rounded out the sound and proved to be an able companion to the Prime Bookshelves.

Movies:

For many, the SVS Prime series will be an incredibly appealing solution for home theater.  In my opinion, if a set of speakers can nail music then they can serve equally well for home theater.   While I didn’t test out the Prime setup with a full complement of Prime surrounds, if the main bookshelf speakers plus the SB-2000 could provide a satisfying experience serving as fronts, then they would have no problem handling a full surround setup.  So how did the Prime Bookshelves measure up?

Tron Legacy
I started off with Tron Legacy and in no uncertain terms the setup shook the house.  Sure, that was thanks to the SB-2000 but was the sound ever clear and detailed.  Playing with a phantom center, dialogue was wonderfully clear and well placed.  In scene 4, “The Grid” the roar of the Recognizers was intense.  Integration with the subwoofer was great.  The presentation continued as a coherent, transparent wall of sound.  The SVS Primes didn’t have the precision and cleanness I’ve heard with more expensive tweeter designs but that didn’t impede me from becoming fully immersed in the experience.  This was most apparent in Chapter 7, “Lightcycle Battle” which opens with a demo-worthy digital fireworks show.  It’s only because of my experience with more exotic tweeter designs that I noticed a difference.  

Avengers
Next up was the Avengers.  Just as they did with music, the Prime Bookshelf speakers just disappeared as a coherent wall of sound.  Dynamics were very good and there was nothing in the presentation that left me wanting.  Imaging was spot-on awesome at all times.  Time and again, I kept forgetting that I was playing with a phantom center and not a dedicated center channel.  Gunfire exchanged in the opening sequence had the kind of bite that reminded you of a good movie theater experience.  The pulsing sound of the helicopter rotors resonated with bass-you-can-feel.  In chapter 8, “Stuggart Confrontation” takes place in Germany with the playing of violins. The acoustic details of the scene’s action overlapping the music of the violins and orchestral movement was very well done.  In chapter 9, “Mountaintop Battle” Thor slams his hammer down on Captain America’s shield.  On more expensive speakers, you’ll hear the decay of hammer strike with a detailed, natural vibration, which was not as well executed on the SVS Prime Bookshelves.  Just as I noted in my sessions with music, it was in scenes like this were you readily noticed the performance difference that between the Primes and much more expensive speakers (emphasis on the much more expensive!).

All in all, the Prime Bookshelf and SB-2000 combo capped a thoroughly satisfying experience that would satisfy many die hard home theater enthusiasts.  

Conclusion

SVS Prime Bookshelf and SB-2000 Subwoofer in High Gloss Black Finish
The price point to get good sound audiophile sound has oftentimes been a significant barrier.  Thanks to SVS, not any more.  If you’re an audiophile or home theater lover on a budget then look no further than the SVS Prime Bookshelf speakers.  While the Prime Bookshelf speakers don’t do everything perfectly, the overall performance of these speakers at this price point is just crazy.  They are an ideal solution for the audiophile on a budget or those starting out and have loftier long-term aspirations.  

There’s no doubt. The SVS Prime Bookshelf speakers are a real price-performance achievement.  They are an exceptional value and give you a real taste of high end audio for the audiophile on a budget.  Pair any number of Prime Bookshelf speakers with an SB-2000 subwoofer and you are going to have an amazing one-two knockout punch for both music and home theater. 

The irony of the Prime Bookshelf becomes their performance relative to their more expensive signing the SVS Ultra Bookshelf.  The performance difference is there—especially in areas of dynamics and a bit more low frequency extension—and each person will need to weigh in on what they value most.  

However, the launch of the Prime series speakers and the performance that I’ve now listened to first-hand gives home theater lovers lots of flexibility.  Now, instead of having to make major compromises, you could potentially put a set of Ultra Speakers for the fronts and Prime speakers in the surrounds for the best of both worlds. 

Whatever you end up doing, the news is all good.  Thanks to SVS, gone are the days where you need to have a six figure audio system to be the envy of your friends and neighbors.  What a great time to be an audiophile and home theater lover.  Highly recommended.


$1000 Off Marantz Reference DSD DAC and Reference Integrated Amp

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Music Direct in Chicago is offering some special B-stock sales on Marantz gear. Two of the notable items include a B-Stock unit of Marantz' Reference Network Enabled DSD DAC (NA-11S1) and the Marantz Reference Integrated Amplifier (PM-11S3). Both units are $1,000 off.

The Network Enabled DSD DAC is reduced from $3,500 to $2,499. The PM-11S3 Integrated Amp is reduced from $5,000 to $3,999. The B-Stock units have been tested an repackaged by Marantz and are fully guaranteed by Music Direct.



Other B-Stock specials include Marantz's SA-11S3 Reference SACD/CD Player and other turntable, integrated amps, and SACD/CD players.

You can see the full list of B-Stock specials here.

20%-50% off Select Marantz, Denon, Onkyo, and Cambridge Home Theater Receivers

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More than any other audio component, the technology in receivers changes the fastest.  While that prospect might be daunting it can also provide you with lots of potential savings opportunities.  Right now, for example, Crutchfield is having a special on select receivers from Marantz, Denon, Onkyo, and Cambridge Audio.

Many models are current generation HDMI 1.4 units though don't feature the latest HDMI 2.0 connectivity or Dobly Atmos capability.  Regardless, these models are brand new and not refurbished.  These are models from some of the big names in the home theater receiver market and are super values.  All ship free and come with Crutchfield's lifetime support.

Is the Pono High Resolution Music Player a Complete Bust?

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Legendary rocker Neil Young had a dream that most audiophiles would inherently agree with: compressed mp3 music is inferior to what good vinyl sounds like. We need a portable high resolution music player so that we can play high resolution, high bitrate songs for the best fidelity.

This quest isn't anything new.  Scott Wilkinson of Editor of AVS Forum and host of the weekly podcast, Home Theater Geeks teamed up with AIX records to conduct a non-scientific test to see if people could tell the difference between high res audio files and CD-quality files.  While the results were mixed, one could infer that the better quality the audio system, the more likely listeners were able to tell a difference.  What is new, however, is that Neil Young and his team wanted to bring high res audio to the portable player market.



By any standard, their initial start was a resounding success and showed to a very large degree that people care about their music and getting it in high fidelity. Although asking for an initial infusion of $800,000, the Pono team received an astounding $6.2 million on Kickstarter.

Now that the Pono player and complementary online store are available to the general public, David Pogue, notable for his technology column in the NY Times, took a Pono for a listening spin.  What most audiophiles probably weren't expecting was his blistering assault on the Pono, calling it: "Neil Young's Pono Player: The Emperor Has No Clothes."

David Pogue makes many good points in the article and he echoes some of the items we've previously talked about here—specifically the quality of the master recording.  In other words, if the master recording was only done at 16/44.1 (CD quality) then up sampling it to somehow become high-resolution won't yield any sonic benefit.  The data simply isn't there. The NY Post has also weighed in on this topic with a quick, interesting read here.

Check out David Pogue's article.  It's a good read and the inferences of the article are pretty interesting.  First, AAC-encoded audio does a great job of competing directly against lossless high res audio and secondly, the iPhone's audio hardware isn't as bad as many think.

Rotel Announces RSP-1582 Reference Surround Processor for Two-Channel and 7.1 Home Theater Audio and Video

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Rotel Electronics, the sister company to high-end audio heavyweights Classé and Bowers and Wilkins, has announced their new flagship surround processor, which is geared towards die-hard two-channel fans as well as home theater aficionados. The RSP-1582 is a 7.1 channel, preamplifier/processor that Rotel has designed to serve as a master control for all audio and video components.

Rotel says that for the past two years, their engineers have "painstakingly evaluated every circuit design and feature requirement of the RSP-1582, challenging themselves to produce the very best audio/video performance possible for home entertainment." Under the hood, it looks like the engineers have focused intently on the audio portion of the processor.

The Rotel RSP-1582's DACs consist of six 24-bit/192kHz Wolfson WM8740 chips, four dedicated DACs for the Front Left, Front Right, Center and Subwoofer channels ands shared stereo DAC's for the rear and surround channels. Also included is a Texas Instruments PCM1804 audio-performance analog-to-digital converter (ADC).

As you would expect in a flagship preamp, the RSP-1582 has an analog bypass function, which circumvents the DSP section to obtain the purest analog signal path.  The RSP-1582 also has an Phono stage,  XLR balanced inputs, 7.1 channel input and the analog pre-outputs are available in your choice of XLR or RCA connectors—both with twin subwoofer connections.

Traditionally, Rotel has chosen to eschew bells and whistles on it's preamps and receivers and the RSP-1582 maintains that tradition.  Rotel's RSP-1582 sports:

  1. A 7" TFT color display for adjusting all audio and video parameters
  2. Front-panel USB input for Apple iOS devices with 5v (2.1 amp) charging capability.  In our opinion, this port should have had 10v charging capability to support iPads.
  3. PC-USB input supporting 24bit/192kHz audio
  4. An embedded aptX Bluetooth receiver for CD quality wireless connectivity.
  5. RS-232 and IP network interfaces for custom installations and home automation
  6. Two IR output connector for IR pass-through and wired IR remote input
  7. Three independent trigger outputs
  8. Software updates via USB

Detail of the 7" color display on the front panel provides users and installers with full access to the unit's configuration options.  There is also a convenient front HDMI and USB port, although the USB port won't be enough to charge an iPad.
While the Rotel has a 10-channel Parametric Equalization (PEQ) option, it completely foregoes any automated room correction solution.  For many audiophiles, the omission of this feature—especially in a multichannel processor—has been a bit of a head-scratcher.  While Rotel touts the importance of the PEQ and the ability for a dealer to dial in the processor to a room, the omission of any room correction solution is a glaring omission in today's market.  There's also no current or future support for immersive surround formats such as Dolby Atmos, Auro-3D, or DTS:X.  As with most of Rotel's products, the RSP-1582 doesn't appear to have an upgrade path, so prospective buyers should think very carefully before making such an investment—especially in light of the fact that we are in the middle of a technology transition with UHD standards being outlined and HDMI 2.0 fresh on the market.

On the video side, this is an HDMI 1.4-compliant processor.  This again is a bit of a head scratcher with many manufacturers now turning to HDMI 2.0 for their models.  Even though the Rotel is saying it's a 4K processor, it won't support UHD/4K signals at 50 or 60fps—only the lower 24 and 30fps.  There are, however, dual HDMI 1.4 video pass-through outputs (one ARC/CEC enabled) and a front-panel HDMI 1.4 port.

I respect Rotel for sticking to their philosophy and providing a streamlined product with a hard focus on build-quality and audio.  Potential customers who are considering the Rotel RSP-1582 for their system can get the unit in either black or silver finish when it's released in the March-April 2015 time-frame for an MRSP of $3,499.

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